El presente trabajo introduce un nuevo planteamiento de gestión y comisariado de exposiciones, analizando dos proyectos expositivos con un marcado acento participativo, incidiendo en la vertiente social y educativa de dichas propuestas.En ambos casos los curadores han elaborado un discurso educativo que recorre elconjunto. La muestra valenciana «Caligrafías de la enfermedad» y la bonaerense «Cuando digo escuela» consideran a los visitantes como protagonistas, intérpretes y constructores de significados. Esto implica crear condiciones de apropiación de los bienes patrimoniales comunes y ofrecer experiencias de calidad para que diversos tipos de usuarios pongan en juego sus perspectivas, conocimientos, narrativas y emociones.

This paper proposes a new approach to managing and curating exhibitions, analyzing two exhibition projects with a strong participatory emphasis, focusing on the social aspect of these proposals. In both cases, the curators have prepared ajoint educational discourse. The Valencian «Disease’s Calligraphy» and the Buenos Aires «When I say School» consider the visitors as actors, performers and builders of meanings. The exhibitions create conditions of appropriation of heritage and offer quality experiences for different users developing their perspectives, knowledge, narrative and emotions.

We present an artistic research developed with university students. Under the theme of memories and the idea “Machines have memory, people have memories”, an exhibition was presented at the Computer Museum with the title “The design of memories”, with 22 artistic installations made by students, establishing a dialogue with the museum’ collection. The research seeks pedagogical alternatives from art education, incorporating approaches that investigate social, political and cultural aspects, such as museums, as well as collective creation formats. It is presented as a case study, incorporating teaching narratives, questionnaires, and Arts-Based Research. The positive evaluation of the exhibition leads us to consider this activity as an enriching model in artistic and heritage education, promoting creativity and collaborative work.

We present an artistic research developed with university students. Under the theme of memories and the idea “Machines have memory, people have memories”, an exhibition was presented at the Computer Museum with the title “The design of memories”, with 22 artistic installations made by students, establishing a dialogue with the museum’ collection. The research seeks pedagogical alternatives from art education, incorporating approaches that investigate social, political and cultural aspects, such as museums, as well as collective creation formats. It is presented as a case study, incorporating teaching narratives, questionnaires, and Arts-Based Research. The positive evaluation of the exhibition leads us to consider this activity as an enriching model in artistic and heritage education, promoting creativity and collaborative work.

Publicación que reúne 18 ensayos elaborados como parte del proyecto "Mujeres maestras del Perú" realizado en convenio entre la Universitat de València y la Pontificia Universidad Católica del Perú. Los ensayos desarrollan diferentes temas inspirados en las actividades realizadas como parte del proyecto y en las experiencias de maestras peruanas.

We present an artistic research developed with university students. Under the theme of memories and the idea “Machines have memory, people have memories”, an exhibition was presented at the Computer Museum with the title “The design of memories”, with 22 artistic installations made by students, establishing a dialogue with the museum’ collection. The research seeks pedagogical alternatives from art education, incorporating approaches that investigate social, political and cultural aspects, such as museums, as well as collective creation formats. It is presented as a case study, incorporating teaching narratives, questionnaires, and Arts-Based Research. The positive evaluation of the exhibition leads us to consider this activity as an enriching model in artistic and heritage education, promoting creativity and collaborative work.

This paper proposes a new approach to managing and curating exhibitions, analyzing two exhibition projects with a strong participatory emphasis, focusing on the social aspect of these proposals. In both cases, the curators have prepared ajoint educational discourse. The Valencian «Disease’s Calligraphy» and the Buenos Aires «When I say School» consider the visitors as actors, performers and builders of meanings. The exhibitions create conditions of appropriation of heritage and offer quality experiences for different users developing their perspectives, knowledge, narrative and emotions.