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The title of this paper paraphrases the famous book of poems written by Carlos Oquendo de Amat ( 1905-1936), a poet born in Puno, who at age 22 published his one and only book: "Five meters of poems" ( 1927). The poet was inspired by the fresh and avant-garde trend of the early twentieth century. He brilliantly used a complex verbal irony to describe the daily life of the modern city of those years; a city tinged by trading for capitalism was consolidating in the West. The name "Five meters" is an irony of the books: design: a single paper  sheet of approximately 5 meters, folded like an accordion that simultaneously offers a set of poems arranged one after the other, like a movie film stock, when opened. Thus, lyric - themost sublime literary genre, according to the traditional canon - becomes associated to the myriad of g...

No description

The title of this paper paraphrases the famous book of poems written by Carlos Oquendo de Amat ( 1905-1936), a poet born in Puno, who at age 22 published his one and only book: "Five meters of poems" ( 1927). The poet was inspired by the fresh and avant-garde trend of the early twentieth century. He brilliantly used a complex verbal irony to describe the daily life of the modern city of those years; a city tinged by trading for capitalism was consolidating in the West. The name "Five meters" is an irony of the books: design: a single paper  sheet of approximately 5 meters, folded like an accordion that simultaneously offers a set of poems arranged one after the other, like a movie film stock, when opened. Thus, lyric - themost sublime literary genre, according to the traditional canon - becomes associated to the myriad of g...

La presente tesis busca interpretar las características y las relaciones intertextuales entre los libros de poesía La luz armada (1954) y Cantos desde lejos (1957), de Juan Gonzalo Rose, desde la perspectiva crítica e interdisciplinaria de los estudios culturales y las aproximaciones marxistas al terreno de la estética y la literatura, en el marco de la tradición radical de la literatura y poesía peruanas correspondientes a la primera mitad del siglo XX: específicamente, en una discursividad literaria de estética socialista. Se utilizará las versiones editoriales de La luz armada (editado en México en formato de plaqueta), y Cantos desde lejos (sobre todo la edición del INC, así como la antología Canto Real, en las que participó el propio Rose). Será necesario, también, considerar otros libros y textos del propio autor que echen luces sobre el objeto de estudio, así como...