Post-feminism and Post-truth in Reggaeton Video Clips on Youtube
Descripción del Articulo
El texto completo de este trabajo no está disponible en el Repositorio Académico UPC por restricciones de la casa editorial donde ha sido publicado.
Autores: | , |
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Formato: | artículo |
Fecha de Publicación: | 2021 |
Institución: | Universidad Peruana de Ciencias Aplicadas |
Repositorio: | UPC-Institucional |
Lenguaje: | inglés |
OAI Identifier: | oai:repositorioacademico.upc.edu.pe:10757/657879 |
Enlace del recurso: | http://hdl.handle.net/10757/657879 |
Nivel de acceso: | acceso embargado |
Materia: | Post-feminism Post-truth Reggaeton |
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dc.title.es_PE.fl_str_mv |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
title |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
spellingShingle |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube Alcántara-Segura, Dámaris Beatriz Post-feminism Post-truth Reggaeton |
title_short |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
title_full |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
title_fullStr |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
title_full_unstemmed |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
title_sort |
Post-feminism and Post-truth in Reggaeton Video Clips on Youtube |
author |
Alcántara-Segura, Dámaris Beatriz |
author_facet |
Alcántara-Segura, Dámaris Beatriz Espinoza-Robles, Lorena Teresa |
author_role |
author |
author2 |
Espinoza-Robles, Lorena Teresa |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Alcántara-Segura, Dámaris Beatriz Espinoza-Robles, Lorena Teresa |
dc.subject.es_PE.fl_str_mv |
Post-feminism Post-truth Reggaeton |
topic |
Post-feminism Post-truth Reggaeton |
description |
El texto completo de este trabajo no está disponible en el Repositorio Académico UPC por restricciones de la casa editorial donde ha sido publicado. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2021-11-02T16:36:10Z |
dc.date.available.none.fl_str_mv |
2021-11-02T16:36:10Z |
dc.date.issued.fl_str_mv |
2022-01-01 |
dc.type.es_PE.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
dc.identifier.issn.none.fl_str_mv |
21903018 |
dc.identifier.doi.none.fl_str_mv |
10.1007/978-981-16-5792-4_13 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10757/657879 |
dc.identifier.eissn.none.fl_str_mv |
21903026 |
dc.identifier.journal.es_PE.fl_str_mv |
Smart Innovation, Systems and Technologies |
dc.identifier.eid.none.fl_str_mv |
2-s2.0-85116931960 |
dc.identifier.scopusid.none.fl_str_mv |
SCOPUS_ID:85116931960 |
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0000 0001 2196 144X |
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21903018 10.1007/978-981-16-5792-4_13 21903026 Smart Innovation, Systems and Technologies 2-s2.0-85116931960 SCOPUS_ID:85116931960 0000 0001 2196 144X |
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http://hdl.handle.net/10757/657879 |
dc.language.iso.es_PE.fl_str_mv |
eng |
language |
eng |
dc.relation.url.es_PE.fl_str_mv |
https://link.springer.com/chapter/10.1007/978-981-16-5792-4_13 |
dc.rights.es_PE.fl_str_mv |
info:eu-repo/semantics/embargoedAccess |
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embargoedAccess |
dc.format.es_PE.fl_str_mv |
application/html |
dc.publisher.es_PE.fl_str_mv |
Springer Science and Business Media Deutschland GmbH |
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Universidad Peruana de Ciencias Aplicadas |
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dc.source.journaltitle.none.fl_str_mv |
Smart Innovation, Systems and Technologies |
dc.source.volume.none.fl_str_mv |
259 SIST |
dc.source.beginpage.none.fl_str_mv |
123 |
dc.source.endpage.none.fl_str_mv |
130 |
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e2824c22c130c8077706ed38b6137883c29501d3455bf63d456158f5e1d4d775Alcántara-Segura, Dámaris BeatrizEspinoza-Robles, Lorena Teresa2021-11-02T16:36:10Z2021-11-02T16:36:10Z2022-01-012190301810.1007/978-981-16-5792-4_13http://hdl.handle.net/10757/65787921903026Smart Innovation, Systems and Technologies2-s2.0-85116931960SCOPUS_ID:851169319600000 0001 2196 144XEl texto completo de este trabajo no está disponible en el Repositorio Académico UPC por restricciones de la casa editorial donde ha sido publicado.In the music industry, reggaeton is an urban genre most played on digital platforms such as YouTube. From its beginnings a musical genre that transmitted denigrating messages of women image. Today, these messages have changed due to the incursion of female artists who adopt values associated with the masculine to reinforce an image of empowerment. These artists promote post-feminist messages from the narrative of their songs and music videos, legitimizing representations based on the narrative they propose from fiction. This article analyzes the representation of women in six Karol G reggaeton video clips broadcast on YouTube through a case study with a narrative and gender approach. A content analysis guide was applied to 320 video captures and an interview guide to the art director in charge of Pineapple and Mi cama video clips. The main finding of the research was to show that the narrative and the staging build a post-truth of female empowerment from fiction to show us a convincing story. However, this post-truth legitimizes characters such as the sexual entrepreneur by appealing to the same feminine objectification of the beginnings of the urban genre. Therefore, this study contributes to the existing literature of pervasive communication on social media and post-truth in audiovisual fiction.application/htmlengSpringer Science and Business Media Deutschland GmbHhttps://link.springer.com/chapter/10.1007/978-981-16-5792-4_13info:eu-repo/semantics/embargoedAccessPost-feminismPost-truthReggaetonPost-feminism and Post-truth in Reggaeton Video Clips on Youtubeinfo:eu-repo/semantics/articleSmart Innovation, Systems and Technologies259 SIST123130reponame:UPC-Institucionalinstname:Universidad Peruana de Ciencias Aplicadasinstacron:UPCLICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://repositorioacademico.upc.edu.pe/bitstream/10757/657879/1/license.txt8a4605be74aa9ea9d79846c1fba20a33MD51false10757/657879oai:repositorioacademico.upc.edu.pe:10757/6578792021-11-02 16:36:10.693Repositorio académico upcupc@openrepository.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 |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).