De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)

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While composing vocal music, it is usually required an extra “set of rules” that is generally related with the language of the text used in the music. Each language has characteristics connected with its pronunciation, prosody, meaning, etc., that are necessary in order to set the text in a way that...

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Detalles Bibliográficos
Autor: Aliaga del Bosque, Juan Carlos
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional de Música
Repositorio:UNM - Institucional
Lenguaje:inglés
OAI Identifier:oai:repositorio.unm.edu.pe:20.500.12767/177
Enlace del recurso:https://hdl.handle.net/20.500.12767/177
https://doi.org/10.62230/antec.v7i1.181
Nivel de acceso:acceso abierto
Materia:Música escrita en latín
Música vocal
Latín clásico
Prosodia latina
Composición de música vocal
Music written in Latin
Vocal music
Classic Latin
Latin prosody
Vocal music composition
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spelling De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)De musica latine scribenda: Cómo acercarse a un texto escrito en latín como compositor sin invocar a un demonio en el proceso (2022)Aliaga del Bosque, Juan CarlosMúsica escrita en latínMúsica vocalLatín clásicoProsodia latinaComposición de música vocalMusic written in LatinVocal musicClassic LatinLatin prosodyVocal music compositionhttp://purl.org/pe-repo/ocde/ford#6.04.07While composing vocal music, it is usually required an extra “set of rules” that is generally related with the language of the text used in the music. Each language has characteristics connected with its pronunciation, prosody, meaning, etc., that are necessary in order to set the text in a way that is understandable, but also some of these “quirks” can be exploitable and shape the music in a way that is closer to the sound, rhythm or even the culture carried by the language. This first paper on the topic addresses the use of Latin language in musical composition, as many others have tackled its pronunciation in performance but there is not much written about how a composer can use the language confidence and efficiency. In this paper, the concepts of syllable length and tonic accent in Latin will be introduced and they will be explained and applied through musical examples from different historical periods.Al escribir música vocal, usualmente, es necesario tener un “conjunto de reglas” suplementario, el cual está, por lo general, relacionado al idioma del texto usado en la música. Cada lengua tiene características conectadas a su pronunciación, prosodia, significado, etcétera, las cuales son necesarias para que el texto empleado sea inteligible, pero algunas de estas peculiaridades también pueden ser explotadas y pueden dar forma a la música de una manera en la cual ésta puede ser más cercana al sonido, ritmo o incluso la cultura llevada por el idioma. Este primer artículo aborda el uso del latín en la composición musical, ya que muchos tratan sobre su pronunciación en la interpretación, pero no hay mucho escrito sobre cómo un compositor puede usar el idioma con confianza y eficiencia. En este artículo, los conceptos de longitud silábica y acento tónico son presentados, explicados y aplicados a través de ejemplos musicales de distintos periodos.Universidad Nacional de MúsicaPE2024-05-21T16:42:18Z2024-05-21T16:42:18Z2023-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdf3.82 MBapplication/pdfAliaga del Bosque, J. C. (2023). De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022). Antec: Revista Peruana De Investigación Musical, 7(1), 126-140. https://doi.org/10.62230/antec.v7i1.181https://hdl.handle.net/20.500.12767/177https://doi.org/10.62230/antec.v7i1.181engurn:issn:2521-8565urn:issn:2616-681Xinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-nd/4.0/reponame:UNM - Institucionalinstname:Universidad Nacional de Músicainstacron:UNMoai:repositorio.unm.edu.pe:20.500.12767/1772025-08-15T21:18:06Z
dc.title.none.fl_str_mv De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
De musica latine scribenda: Cómo acercarse a un texto escrito en latín como compositor sin invocar a un demonio en el proceso (2022)
title De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
spellingShingle De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
Aliaga del Bosque, Juan Carlos
Música escrita en latín
Música vocal
Latín clásico
Prosodia latina
Composición de música vocal
Music written in Latin
Vocal music
Classic Latin
Latin prosody
Vocal music composition
http://purl.org/pe-repo/ocde/ford#6.04.07
title_short De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
title_full De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
title_fullStr De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
title_full_unstemmed De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
title_sort De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
dc.creator.none.fl_str_mv Aliaga del Bosque, Juan Carlos
author Aliaga del Bosque, Juan Carlos
author_facet Aliaga del Bosque, Juan Carlos
author_role author
dc.subject.none.fl_str_mv Música escrita en latín
Música vocal
Latín clásico
Prosodia latina
Composición de música vocal
Music written in Latin
Vocal music
Classic Latin
Latin prosody
Vocal music composition
http://purl.org/pe-repo/ocde/ford#6.04.07
topic Música escrita en latín
Música vocal
Latín clásico
Prosodia latina
Composición de música vocal
Music written in Latin
Vocal music
Classic Latin
Latin prosody
Vocal music composition
http://purl.org/pe-repo/ocde/ford#6.04.07
description While composing vocal music, it is usually required an extra “set of rules” that is generally related with the language of the text used in the music. Each language has characteristics connected with its pronunciation, prosody, meaning, etc., that are necessary in order to set the text in a way that is understandable, but also some of these “quirks” can be exploitable and shape the music in a way that is closer to the sound, rhythm or even the culture carried by the language. This first paper on the topic addresses the use of Latin language in musical composition, as many others have tackled its pronunciation in performance but there is not much written about how a composer can use the language confidence and efficiency. In this paper, the concepts of syllable length and tonic accent in Latin will be introduced and they will be explained and applied through musical examples from different historical periods.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-28
2024-05-21T16:42:18Z
2024-05-21T16:42:18Z
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv Aliaga del Bosque, J. C. (2023). De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022). Antec: Revista Peruana De Investigación Musical, 7(1), 126-140. https://doi.org/10.62230/antec.v7i1.181
https://hdl.handle.net/20.500.12767/177
https://doi.org/10.62230/antec.v7i1.181
identifier_str_mv Aliaga del Bosque, J. C. (2023). De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022). Antec: Revista Peruana De Investigación Musical, 7(1), 126-140. https://doi.org/10.62230/antec.v7i1.181
url https://hdl.handle.net/20.500.12767/177
https://doi.org/10.62230/antec.v7i1.181
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv urn:issn:2521-8565
urn:issn:2616-681X
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.format.none.fl_str_mv application/pdf
3.82 MB
application/pdf
dc.publisher.none.fl_str_mv Universidad Nacional de Música
PE
publisher.none.fl_str_mv Universidad Nacional de Música
PE
dc.source.none.fl_str_mv reponame:UNM - Institucional
instname:Universidad Nacional de Música
instacron:UNM
instname_str Universidad Nacional de Música
instacron_str UNM
institution UNM
reponame_str UNM - Institucional
collection UNM - Institucional
repository.name.fl_str_mv
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De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022)
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