Reconstrucción de un turbante paracas realizado con la técnica de anudado simple
Descripción del Articulo
The book I am presenting, as Head of the Art and Design Academic Department, is a very valuable contribution from Keiko Watanabe to our unit, with the purpose of handing down her investigation to us, heirs to the Paracas culture: Peruvian people. It has been reviewed and contextualized in an outstan...
| Autor: | |
|---|---|
| Formato: | libro |
| Fecha de Publicación: | 2020 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | PUCP-Institucional |
| Lenguaje: | español |
| OAI Identifier: | oai:repositorio.pucp.edu.pe:20.500.14657/172484 |
| Enlace del recurso: | http://repositorio.pucp.edu.pe/index/handle/123456789/172484 https://doi.org/10.18800/978-612-47501-2-0 |
| Nivel de acceso: | acceso abierto |
| Materia: | Paracas, Cultura Textiles--Perú--Paracas--Época prehispánica https://purl.org/pe-repo/ocde/ford#6.04.01 |
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| dc.title.es_ES.fl_str_mv |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| dc.title.alternative.en_US.fl_str_mv |
Reconstruction of a Paracas headband made by simple knotting |
| title |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| spellingShingle |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple Watanabe, Keiko Paracas, Cultura Textiles--Perú--Paracas--Época prehispánica https://purl.org/pe-repo/ocde/ford#6.04.01 |
| title_short |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| title_full |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| title_fullStr |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| title_full_unstemmed |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| title_sort |
Reconstrucción de un turbante paracas realizado con la técnica de anudado simple |
| author |
Watanabe, Keiko |
| author_facet |
Watanabe, Keiko |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Watanabe, Keiko |
| dc.subject.es_ES.fl_str_mv |
Paracas, Cultura Textiles--Perú--Paracas--Época prehispánica |
| topic |
Paracas, Cultura Textiles--Perú--Paracas--Época prehispánica https://purl.org/pe-repo/ocde/ford#6.04.01 |
| dc.subject.ocde.none.fl_str_mv |
https://purl.org/pe-repo/ocde/ford#6.04.01 |
| description |
The book I am presenting, as Head of the Art and Design Academic Department, is a very valuable contribution from Keiko Watanabe to our unit, with the purpose of handing down her investigation to us, heirs to the Paracas culture: Peruvian people. It has been reviewed and contextualized in an outstanding essay by Ann Peters, expert researcher of the Paracas culture, widely acknowledged internationally. As coordinator at AXIS Arte, an interdisciplinary team for research and development, I am pleased to introduce the research article on which the work carried out with Keiko Watanabe since 2017 is based, promoting workshops on the recovery of the Paracas knotting technique in the Faculty of Art and Design. These interdisciplinary spaces have had the participation of museums’ specialists, textile conservators, and people interested in the subject; along with Yuki Seo, creating great expectations, and the urge to spread and expand the Paracas textile techniques. The participation of young artists in these workshops has to be pointed out. They utilize textile techniques for their artistic creations and have incorporated Paracas textile techniques to put forward new proposals that they promote through various exhibitions. Lastly, we express our never ending gratitude to Keiko Watanabe, for trusting us and offering us her research to be published and promoted; to Ann Peters, for her valuable introduction; to Christian Arakaki, for the editorial design; and to all who contributed with their support to accomplish this publication. |
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2020 |
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2020-10-07T00:27:24Z |
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2020-10-07T00:27:24Z |
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2020 |
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info:eu-repo/semantics/book |
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Libro |
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urn:isbn:9786124750120 |
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http://repositorio.pucp.edu.pe/index/handle/123456789/172484 |
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https://doi.org/10.18800/978-612-47501-2-0 |
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urn:isbn:9786124750120 |
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http://repositorio.pucp.edu.pe/index/handle/123456789/172484 https://doi.org/10.18800/978-612-47501-2-0 |
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Pontificia Universidad Católica del Perú. Departamento Académico de Arte y Diseño |
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PE |
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Watanabe, Keiko2020-10-07T00:27:24Z2020-10-07T00:27:24Z2020urn:isbn:9786124750120http://repositorio.pucp.edu.pe/index/handle/123456789/172484https://doi.org/10.18800/978-612-47501-2-0The book I am presenting, as Head of the Art and Design Academic Department, is a very valuable contribution from Keiko Watanabe to our unit, with the purpose of handing down her investigation to us, heirs to the Paracas culture: Peruvian people. It has been reviewed and contextualized in an outstanding essay by Ann Peters, expert researcher of the Paracas culture, widely acknowledged internationally. As coordinator at AXIS Arte, an interdisciplinary team for research and development, I am pleased to introduce the research article on which the work carried out with Keiko Watanabe since 2017 is based, promoting workshops on the recovery of the Paracas knotting technique in the Faculty of Art and Design. These interdisciplinary spaces have had the participation of museums’ specialists, textile conservators, and people interested in the subject; along with Yuki Seo, creating great expectations, and the urge to spread and expand the Paracas textile techniques. The participation of young artists in these workshops has to be pointed out. They utilize textile techniques for their artistic creations and have incorporated Paracas textile techniques to put forward new proposals that they promote through various exhibitions. Lastly, we express our never ending gratitude to Keiko Watanabe, for trusting us and offering us her research to be published and promoted; to Ann Peters, for her valuable introduction; to Christian Arakaki, for the editorial design; and to all who contributed with their support to accomplish this publication.El libro que presento, como jefa del Departamento Académico de Arte y Diseño, es una muy valiosa contribución de Keiko Watanabe a nuestra unidad, con la finalidad de legar su investigación a quienes heredamos la cultura paracas: la población peruana. Ha sido revisado y además contextualizado por un magistral ensayo de Ann Peters, experta investigadora de la cultura paracas, reconocida ampliamente a nivel internacional. Como coordinadora de AXIS Arte, grupo interdisciplinario de investigación y desarrollo, me complace presentar el artículo de investigación en el que se basa el trabajo realizado con Keiko Watanabe desde el año 2017, promoviendo talleres de recuperación de la técnica de anudado paracas en la Facultad de Arte y Diseño. En estos espacios interdisciplinarios han participado especialistas de museos, conservadores textiles e interesados en el tema, junto a Yuki Seo creando gran expectativa y la necesidad de difundir y expandir las técnicas textiles paracas. Se destaca la participación en dichos talleres de jóvenes artistas quienes utilizan técnicas textiles para sus creaciones artísticas y que han incorporado técnicas textiles paracas para nuevas propuestas que difunden a través de diversas exposiciones. Por último, nuestro eterno agradecimiento a Keiko Watanabe por confiar en nosotros y ofrecernos su investigación para publicarla y difundirla; a Ann Peters, por su valiosa introducción; a Christian Arakaki, por el diseño editorial y a cuantos contribuyeron a apoyar y concretar la presente publicación.spaPontificia Universidad Católica del Perú. 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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).