Música, resiliencia y tradición a través del documental etnográfico. Análisis de Cantadoras. Memorias de vida y muerte en Colombia (Carrillo, 2017)

• Autor: Mauri Estupiña, David
• Formato: artículo
• Fecha de Publicación: 2025
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: español
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/204204
• Enlace del recurso: https://revistas.pucp.edu.pe/index.php/conexion/article/view/31545/27686; http://hdl.handle.net/20.500.14657/204204
• Nivel de acceso: acceso abierto
• Materia: Documentary; Afro-Colombian music; Memory; Decolonial feminism; Colombia’s armed conflict; Cantadoras; Memories of Life and Death in Colombia; Documental; Música afrocolombiana; Memoria; Feminismo decolonial; Conflicto armado interno; Memorias de vida y muerte en Colombia; Documentário; Música afro-colombiana; Memória; Conflito armado colombiano; Memórias de vida e morte na Colômbia; https://purl.org/pe-repo/ocde/ford#5.09.01

Based on a methodology combining film analysis with an interview, this article analyzes Cantadoras. Memories of Life and Death in Colombia (Carrillo, 2017). In it, five women singers from Colombia’s Caribbean and Pacific regions stand as examples of safeguarding the inherited collective memory through music and their daily work, which resists the various consequences of the country’s armed conflict. The article, in this way, approaches the ethnographic documentary, conceived and exercised from the ethical and political point of view, and understands it as an audiovisual tool that allows it to function as a historical document while making subaltern voices visible, whose stories and songs become testimonies of hope, identity, liberation, and social cohesion in their respective communities.