El arte como espejo del horror: entrevista a Juan Manuel Echavarría

Descripción del Articulo

For more than 25 years, Colombian artist Juan Manuel Echavarría has dedicated himself to investigating the violence of the armed conflict in Colombia through art. Mainly through photography, but also experimenting with other media such as video and installation, his work has attempted to reveal aspe...

Descripción completa

Detalles Bibliográficos
Autor: Arias Herrera, Juan Carlos
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/199279
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/croma/article/view/27543/25687
https://doi.org/10.18800/croma.202301.001
Nivel de acceso:acceso abierto
Materia:Art
Violence
Colombia
Conflicto
Memory
Arte
Violencia
Memoria
https://purl.org/pe-repo/ocde/ford#6.04.01
Descripción
Sumario:For more than 25 years, Colombian artist Juan Manuel Echavarría has dedicated himself to investigating the violence of the armed conflict in Colombia through art. Mainly through photography, but also experimenting with other media such as video and installation, his work has attempted to reveal aspects of war that have remained invisible, imperceptible. Within the avalanche of images and narratives of violence that exist today in Colombia, and in many other countries that have suffered war, it is important to reflect about the role of art, about what differentiates it, and what allows it to build memories from unexpected places.
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).