Entranced Glauber: Time as social dimension in Paulo Martins’s poetry

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In this paper I analyse the time as a social dimension in the aesthe- tic of Terra em transe (1967) through Paulo Martin’s poetry, Glauber Rocha’s alter ego. From Brecht’s theoretical ideas, I propose that verbal poetical language was very important because through its re- presentations of time I ca...

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Detalles Bibliográficos
Autor: Barrós, Manuel
Formato: artículo
Fecha de Publicación:2018
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/18622
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/revistaLetras/article/view/18622
Nivel de acceso:acceso abierto
Materia:Glauber Rocha
Terra em transe
Dictadura militar brasileña
Estética marxista
Cine
Poesía
Entranced earth
Brazilian military dictatorship
Marxism aesthetics
Poetry
Cinema
Descripción
Sumario:In this paper I analyse the time as a social dimension in the aesthe- tic of Terra em transe (1967) through Paulo Martin’s poetry, Glauber Rocha’s alter ego. From Brecht’s theoretical ideas, I propose that verbal poetical language was very important because through its re- presentations of time I can study its lyrical relevance: its dramatic quality and its capacity to show the emotional transitions and political movements of the protagonist. At the moment I analyse its aesthetics specificity, this one makes me think in its complex relations with other artistic languages involved on the film and its contributions to achieve the film in the Brazilian military  dictatorship context (1964-1985).  
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