Family Court Number 6: Autofiction, complex selfreferentiality and the Real

Descripción del Articulo

The paper explores the relationships between autofiction, scene and the Real based upon the insights generated in the creative process of the theater play Family Court Number 6 —an autofictional play that addresses the relationship between women and the Law in Perú— emphasizing the possibility of tr...

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Detalles Bibliográficos
Autor: Causillas Fonseca, Tirso José
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/25223
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/25223
Nivel de acceso:acceso abierto
Materia:autoficción
investigación desde el arte
autorreferencialidad compleja
teatro
autofiction
artistic research
complex selfreferentiality
theater
Descripción
Sumario:The paper explores the relationships between autofiction, scene and the Real based upon the insights generated in the creative process of the theater play Family Court Number 6 —an autofictional play that addresses the relationship between women and the Law in Perú— emphasizing the possibility of trauma as a creating and constructing force. To achieve these goals, on one hand I draw upon premises of artistic research, especially its self-reflective and critical dimensions. On the other hand, I assume autofiction as a narrative strategy that establishes the “self ” as being in permanent construction. Both paths intersect in what I choose to call complex self-referentiality. Finally, I reflect on trauma as the unrepresentable and as a boundary to creative practice.
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