La estructura de tramas paralelas y el nacimiento del cine

Descripción del Articulo

Cinema is a multifaceted phenomenon and, as such, is really difficult to explain. The processes involved, the diverse elements playing important parts in the development of stories —characters, images, sounds, etc.— are so many and so different that to pretend to explain or define them would be an i...

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Detalles Bibliográficos
Autor: Sarmiento Herencia, Diego Alonso
Formato: artículo
Fecha de Publicación:2019
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/18656
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/18656
Nivel de acceso:acceso abierto
Materia:Literatura
Cine
Montaje
Tramas paralelas
Estructura
Literature
Cinema
Montage
Parallel storylines
Structure
Descripción
Sumario:Cinema is a multifaceted phenomenon and, as such, is really difficult to explain. The processes involved, the diverse elements playing important parts in the development of stories —characters, images, sounds, etc.— are so many and so different that to pretend to explain or define them would be an idle chore. However, in analyzing the works of an individual artist, we find cracks from where faint lights show us how this fabrication happens; the artistry. In that way we can find a common ground gaining the possibility to theorize a process. This paper aims at discovering the relations between cinema and literature, from an structural point of view, using history to determine a common place and the birthplace of the techniques that produce modern cinema.
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