Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy

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The experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with...

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Detalles Bibliográficos
Autor: Luna Bravo, José Luis
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/27119
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/arete/article/view/27119
Nivel de acceso:acceso abierto
Materia:Child’s playing
Perceptual phantasy
Image consciousness
Phenomenology
Juego infantil
Fantasía perceptiva
Conciencia de imagen
Fenomenología
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spelling Phenomenological Analysis of Children’s Playing as a Modality of Perceptual PhantasyAnálisis fenomenológico del juego infantil como modalidad de la fantasía perceptivaLuna Bravo, José LuisChild’s playingPerceptual phantasyImage consciousnessPhenomenologyJuego infantilFantasía perceptivaConciencia de imagenFenomenologíaThe experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with a hallucination or a mere simulation, I claim that playing can be analysed as a particular modality of perceptual phantasy in the “as if” mode. This modality, based on the neutralisation of a perceptual apprehension, enables the opening of the world of phantasy that is deployed in playing. Accordingly, this paper is divided in 3 parts: First, I present a general description of phantasy consciousness; then, I propose an analysis of perceptual phantasy in the experience of theatre; third, I describe the specificity of this modality of phantasy consciousness —called perceptual phantasy— in the intentional structure proper of children’s playing.La experiencia del juego no es extraña para ninguno de nosotros. Todos en algún momento de nuestra infancia nos hemos sumergido en el mundo que nos abre la fantasía y los juguetes. El presente texto se propone explicitar desde una perspectiva fenomenológica cómo tiene lugar esta particular mezcla de percepción y fantasía. Para que esta experiencia no se confunda con una alucinación o simple simulación, se plantea como hipótesis que el juego se puede analizar como una modalidad particular de la fantasía perceptiva en el modo del «como si», en la que, sobre la base de una aprehensión perceptiva, que se presenta neutralizada, se abre el mundo de fantasía que se despliega en el juego. Bajo este hilo conductor el texto se organiza en tres momentos: primero, descripción general de la conciencia de fantasía; segundo, análisis de la fantasía perceptiva en la experiencia del teatro; y finalmente, descripción de la especificidad de esta modalidad de la conciencia de fantasía, denominada fantasía perceptiva, en la estructura intencional propia del juego en los niños.Pontificia Universidad Católica del Perú - Departamento de Humanidades2023-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/arete/article/view/2711910.18800/arete.202301.006Areté; Vol. 35 Núm. 1 (2023); 158-1782223-37411016-913Xreponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/arete/article/view/27119/25398http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/271192023-08-22T14:46:06Z
dc.title.none.fl_str_mv Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
Análisis fenomenológico del juego infantil como modalidad de la fantasía perceptiva
title Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
spellingShingle Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
Luna Bravo, José Luis
Child’s playing
Perceptual phantasy
Image consciousness
Phenomenology
Juego infantil
Fantasía perceptiva
Conciencia de imagen
Fenomenología
title_short Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
title_full Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
title_fullStr Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
title_full_unstemmed Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
title_sort Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy
dc.creator.none.fl_str_mv Luna Bravo, José Luis
author Luna Bravo, José Luis
author_facet Luna Bravo, José Luis
author_role author
dc.subject.none.fl_str_mv Child’s playing
Perceptual phantasy
Image consciousness
Phenomenology
Juego infantil
Fantasía perceptiva
Conciencia de imagen
Fenomenología
topic Child’s playing
Perceptual phantasy
Image consciousness
Phenomenology
Juego infantil
Fantasía perceptiva
Conciencia de imagen
Fenomenología
description The experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with a hallucination or a mere simulation, I claim that playing can be analysed as a particular modality of perceptual phantasy in the “as if” mode. This modality, based on the neutralisation of a perceptual apprehension, enables the opening of the world of phantasy that is deployed in playing. Accordingly, this paper is divided in 3 parts: First, I present a general description of phantasy consciousness; then, I propose an analysis of perceptual phantasy in the experience of theatre; third, I describe the specificity of this modality of phantasy consciousness —called perceptual phantasy— in the intentional structure proper of children’s playing.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-19
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/arete/article/view/27119
10.18800/arete.202301.006
url http://revistas.pucp.edu.pe/index.php/arete/article/view/27119
identifier_str_mv 10.18800/arete.202301.006
dc.language.none.fl_str_mv spa
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dc.relation.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/arete/article/view/27119/25398
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info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Pontificia Universidad Católica del Perú - Departamento de Humanidades
publisher.none.fl_str_mv Pontificia Universidad Católica del Perú - Departamento de Humanidades
dc.source.none.fl_str_mv Areté; Vol. 35 Núm. 1 (2023); 158-178
2223-3741
1016-913X
reponame:Revistas - Pontificia Universidad Católica del Perú
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reponame_str Revistas - Pontificia Universidad Católica del Perú
collection Revistas - Pontificia Universidad Católica del Perú
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