Phenomenological Analysis of Children’s Playing as a Modality of Perceptual Phantasy

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The experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with...

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Detalles Bibliográficos
Autor: Luna Bravo, José Luis
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/27119
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/arete/article/view/27119
Nivel de acceso:acceso abierto
Materia:Child’s playing
Perceptual phantasy
Image consciousness
Phenomenology
Juego infantil
Fantasía perceptiva
Conciencia de imagen
Fenomenología
Descripción
Sumario:The experience of playing is not unknown to anyone of us. As children we have all entered the world opened by phantasy and toys. This paper makes explicit —from a phenomenological perspective— how this particular mixture of perception and phantasy takes place. To avoid confusing this experience with a hallucination or a mere simulation, I claim that playing can be analysed as a particular modality of perceptual phantasy in the “as if” mode. This modality, based on the neutralisation of a perceptual apprehension, enables the opening of the world of phantasy that is deployed in playing. Accordingly, this paper is divided in 3 parts: First, I present a general description of phantasy consciousness; then, I propose an analysis of perceptual phantasy in the experience of theatre; third, I describe the specificity of this modality of phantasy consciousness —called perceptual phantasy— in the intentional structure proper of children’s playing.
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