Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla

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Enrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics....

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Detalles Bibliográficos
Autor: Magán Palomino, Michael Augusto
Formato: artículo
Fecha de Publicación:2024
Institución:Universidad Nacional de Música
Repositorio:UNM-Antec
Lenguaje:español
OAI Identifier:oai:revistas.unm.edu.pe:article/223
Enlace del recurso:https://revistas.unm.edu.pe/index.php/Antec/article/view/223
Nivel de acceso:acceso abierto
Materia:Dossier
Enrique Pinilla
Dosier
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spelling Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique PinillaPrisma (1967): Contexto creativo y análisis de la obra del compositor peruano Enrique PinillaMagán Palomino, Michael AugustoDossierEnrique PinillaDosierEnrique PinillaEnrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics. In this sense, it is pointed out that Pinilla's work is small and attributes this to the creative diversification in his works. Pinilla obtained the Fulbright scholarship to study electronic music at Columbia University under the guidance of the American composer Vladimir Ussachevsky and there he composed his only electronic work, Prisma, for magnetic tape, as stated in the catalogue prepared by Edgar Valcárcel in 1987.Enrique Pinilla fue un compositor peruano que perteneció a la Generación del 50. La década de 1950 “representó el fin de una era y el punto de partida de otra”, debido a que la actividad composicional en Latinoamérica tuvo cambios que condujeron a una gran variedad de estilos y diversidad de estéticas. En este sentido, se puntualiza que la obra de Pinilla es pequeña y atribuye esto a la diversificación creativa en sus obras. Pinilla obtiene la beca Fulbright, para estudiar música electrónica en la Universidad de Columbia bajo la guía del compositor estadounidense Vladimir Ussachevsky y compone allí su única obra electrónica, Prisma, para cinta magnética, como consta en el catálogo elaborado por Edgar Valcárcel en 1987.Instituto de Investigación (ININ) – Universidad Nacional de Música2024-06-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionDossierDosier de personalidades destacadasapplication/pdftext/htmlhttps://revistas.unm.edu.pe/index.php/Antec/article/view/22310.62230/antec.v8i1.223Antec: Revista Peruana de Investigación Musical; Vol. 8 No. 1: January - june (2024); 31 - 40Antec: Revista Peruana de Investigación Musical; Vol. 8 Núm. 1: Enero - junio (2024); 31 - 402616-681X2521-856510.62230/antec.v8i1reponame:UNM-Antecinstname:Universidad Nacional de Músicainstacron:UNMspahttps://revistas.unm.edu.pe/index.php/Antec/article/view/223/877https://revistas.unm.edu.pe/index.php/Antec/article/view/223/896Derechos de autor 2024 Antec: Revista Peruana de Investigación Musicalhttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessoai:revistas.unm.edu.pe:article/2232025-03-05T19:32:52Z
dc.title.none.fl_str_mv Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
Prisma (1967): Contexto creativo y análisis de la obra del compositor peruano Enrique Pinilla
title Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
spellingShingle Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
Magán Palomino, Michael Augusto
Dossier
Enrique Pinilla
Dosier
Enrique Pinilla
title_short Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
title_full Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
title_fullStr Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
title_full_unstemmed Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
title_sort Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
dc.creator.none.fl_str_mv Magán Palomino, Michael Augusto
author Magán Palomino, Michael Augusto
author_facet Magán Palomino, Michael Augusto
author_role author
dc.subject.none.fl_str_mv Dossier
Enrique Pinilla
Dosier
Enrique Pinilla
topic Dossier
Enrique Pinilla
Dosier
Enrique Pinilla
description Enrique Pinilla was a Peruvian composer who belonged to the Generation of 50. The decade of 1950 “represented the end of an era and the starting point of another”, because the compositional activity in Latin America underwent changes that led to a great variety of styles and diversity of aesthetics. In this sense, it is pointed out that Pinilla's work is small and attributes this to the creative diversification in his works. Pinilla obtained the Fulbright scholarship to study electronic music at Columbia University under the guidance of the American composer Vladimir Ussachevsky and there he composed his only electronic work, Prisma, for magnetic tape, as stated in the catalogue prepared by Edgar Valcárcel in 1987.
publishDate 2024
dc.date.none.fl_str_mv 2024-06-27
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Dossier
Dosier de personalidades destacadas
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.unm.edu.pe/index.php/Antec/article/view/223
10.62230/antec.v8i1.223
url https://revistas.unm.edu.pe/index.php/Antec/article/view/223
identifier_str_mv 10.62230/antec.v8i1.223
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.unm.edu.pe/index.php/Antec/article/view/223/877
https://revistas.unm.edu.pe/index.php/Antec/article/view/223/896
dc.rights.none.fl_str_mv Derechos de autor 2024 Antec: Revista Peruana de Investigación Musical
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2024 Antec: Revista Peruana de Investigación Musical
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Instituto de Investigación (ININ) – Universidad Nacional de Música
publisher.none.fl_str_mv Instituto de Investigación (ININ) – Universidad Nacional de Música
dc.source.none.fl_str_mv Antec: Revista Peruana de Investigación Musical; Vol. 8 No. 1: January - june (2024); 31 - 40
Antec: Revista Peruana de Investigación Musical; Vol. 8 Núm. 1: Enero - junio (2024); 31 - 40
2616-681X
2521-8565
10.62230/antec.v8i1
reponame:UNM-Antec
instname:Universidad Nacional de Música
instacron:UNM
instname_str Universidad Nacional de Música
instacron_str UNM
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Prisma (1967): Creative context and analysis of the work of the Peruvian composer Enrique Pinilla
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