Spatial links. Production of sound art directed to the public space in a Latin American context
Descripción del Articulo
This paper took as its object of study the sound art works oriented at public spaces in Latin America, with the objective of studying their characteristics and determining whether this type of creative expressions has the ability to preserve and promote transversal identity traits to the Latin Ameri...
| Autores: | , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2022 |
| Institución: | Universidad Nacional de Música |
| Repositorio: | UNM-Antec |
| Lenguaje: | español |
| OAI Identifier: | oai:revistas.unm.edu.pe:article/142 |
| Enlace del recurso: | https://revistas.unm.edu.pe/index.php/Antec/article/view/142 |
| Nivel de acceso: | acceso abierto |
| Materia: | Sound art Creation Public spaces Latin America Bonding Arte sonoro Creación Espacios públicos Latinoamérica Vinculación |
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Spatial links. Production of sound art directed to the public space in a Latin American contextVínculos espaciales. Producción de arte sonoro dirigido al espacio público en el contexto latinoamericanoDuarte González, IrvingSigal Sefchovich, Jorge RodrigoSound artCreationPublic spacesLatin AmericaBondingArte sonoroCreaciónEspacios públicosLatinoaméricaVinculaciónThis paper took as its object of study the sound art works oriented at public spaces in Latin America, with the objective of studying their characteristics and determining whether this type of creative expressions has the ability to preserve and promote transversal identity traits to the Latin American region, a territory of big complexity and sociocultural diversity.For this, we proposed an analytical instrument that would allowed us to understand these productions from two angles: the link between the work and the space, classified as architectural, social and energetic, and the aesthetic approaches, which we analyze through narratives, resulting from the approach and relationship of a work with a specific site.As a result, we were able to find creative similarities between works from different latitudes, so it was possible to determine that they maintain a general base on an identity linked to the region. Specifically, we determined that one of the main characteristics, present in the analysis, was the interest assumed by this type of works in highlighting aspects of their contexts based on social elements, either from a political proposal or from awareness about the use of its spaces.El presente artículo tomó como objeto de estudio a las obras de arte sonoro dirigidas a los espacios públicos de Latinoamérica, con el objetivo de estudiar sus características y determinar si este tipo de expresiones creativas tienen la capacidad de preservar y promover rasgos de identidad transversales a la región latinoamericana, un territorio de gran complejidad y diversidad sociocultural.Para ello, se planteó un instrumento analítico que nos permitió entender dichas producciones desde dos ámbitos: la vinculación de la obra con el espacio, clasificado como arquitectónico, social y energético, y los planteamientos estéticos que analizamos a través de narrativas que son el resultado del planteamiento y relación de una obra con un sitio determinado.Como resultado, logramos encontrar similitudes creativas entre obras de latitudes diferentes, por lo que fue factible determinar que estas mantienen una base general sobre una identidad vinculada a la región. En concreto, determinamos que una de las principales características, presente en el análisis, fue el interés que este tipo de obras asumen por destacar aspectos propios de sus contextos a partir de los elementos sociales, ya sea desde una propuesta política o desde la concientización sobre el uso de sus espacios.Instituto de Investigación (ININ) – Universidad Nacional de Música2022-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unm.edu.pe/index.php/Antec/article/view/14210.62230/antec.v6i2.142Antec: Revista Peruana de Investigación Musical; Vol. 6 No. 2: August - december (2022); 44-63Antec: Revista Peruana de Investigación Musical; Vol. 6 Núm. 2: Agosto - Diciembre (2022); 44-632616-681X2521-856510.62230/antec.v6i2reponame:UNM-Antecinstname:Universidad Nacional de Músicainstacron:UNMspahttps://revistas.unm.edu.pe/index.php/Antec/article/view/142/668Derechos de autor 2022 Antec: Revista Peruana de Investigación Musicalhttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessoai:revistas.unm.edu.pe:article/1422025-02-07T16:29:42Z |
| dc.title.none.fl_str_mv |
Spatial links. Production of sound art directed to the public space in a Latin American context Vínculos espaciales. Producción de arte sonoro dirigido al espacio público en el contexto latinoamericano |
| title |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| spellingShingle |
Spatial links. Production of sound art directed to the public space in a Latin American context Duarte González, Irving Sound art Creation Public spaces Latin America Bonding Arte sonoro Creación Espacios públicos Latinoamérica Vinculación |
| title_short |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| title_full |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| title_fullStr |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| title_full_unstemmed |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| title_sort |
Spatial links. Production of sound art directed to the public space in a Latin American context |
| dc.creator.none.fl_str_mv |
Duarte González, Irving Sigal Sefchovich, Jorge Rodrigo |
| author |
Duarte González, Irving |
| author_facet |
Duarte González, Irving Sigal Sefchovich, Jorge Rodrigo |
| author_role |
author |
| author2 |
Sigal Sefchovich, Jorge Rodrigo |
| author2_role |
author |
| dc.subject.none.fl_str_mv |
Sound art Creation Public spaces Latin America Bonding Arte sonoro Creación Espacios públicos Latinoamérica Vinculación |
| topic |
Sound art Creation Public spaces Latin America Bonding Arte sonoro Creación Espacios públicos Latinoamérica Vinculación |
| description |
This paper took as its object of study the sound art works oriented at public spaces in Latin America, with the objective of studying their characteristics and determining whether this type of creative expressions has the ability to preserve and promote transversal identity traits to the Latin American region, a territory of big complexity and sociocultural diversity.For this, we proposed an analytical instrument that would allowed us to understand these productions from two angles: the link between the work and the space, classified as architectural, social and energetic, and the aesthetic approaches, which we analyze through narratives, resulting from the approach and relationship of a work with a specific site.As a result, we were able to find creative similarities between works from different latitudes, so it was possible to determine that they maintain a general base on an identity linked to the region. Specifically, we determined that one of the main characteristics, present in the analysis, was the interest assumed by this type of works in highlighting aspects of their contexts based on social elements, either from a political proposal or from awareness about the use of its spaces. |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-12-29 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.unm.edu.pe/index.php/Antec/article/view/142 10.62230/antec.v6i2.142 |
| url |
https://revistas.unm.edu.pe/index.php/Antec/article/view/142 |
| identifier_str_mv |
10.62230/antec.v6i2.142 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.unm.edu.pe/index.php/Antec/article/view/142/668 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2022 Antec: Revista Peruana de Investigación Musical https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2022 Antec: Revista Peruana de Investigación Musical https://creativecommons.org/licenses/by-nc-sa/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Instituto de Investigación (ININ) – Universidad Nacional de Música |
| publisher.none.fl_str_mv |
Instituto de Investigación (ININ) – Universidad Nacional de Música |
| dc.source.none.fl_str_mv |
Antec: Revista Peruana de Investigación Musical; Vol. 6 No. 2: August - december (2022); 44-63 Antec: Revista Peruana de Investigación Musical; Vol. 6 Núm. 2: Agosto - Diciembre (2022); 44-63 2616-681X 2521-8565 10.62230/antec.v6i2 reponame:UNM-Antec instname:Universidad Nacional de Música instacron:UNM |
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Universidad Nacional de Música |
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UNM |
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UNM |
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UNM-Antec |
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UNM-Antec |
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La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).