Biomechanical Focus on the Concierto de Aranjuez by Joaquín Rodrigo: Approaching the Solution to Scalar Passages and Harmonics on the Guitar

Descripción del Articulo

The objects of study are the scalar and harmonic passages of the Concierto de Aranjuez for guitar and orchestra by Joaquin Rodrigo, which have demands of speed and technical stress for the interpreter, in light of the concepts of biomechanics. The project demonstrates basic knowledge for understandi...

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Detalles Bibliográficos
Autor: Ñopo Olazabal, Víctor Hugo
Formato: artículo
Fecha de Publicación:2017
Institución:Universidad Nacional de Música
Repositorio:UNM-Antec
Lenguaje:español
OAI Identifier:oai:revistas.unm.edu.pe:article/14
Enlace del recurso:https://revistas.unm.edu.pe/index.php/Antec/article/view/14
Nivel de acceso:acceso abierto
Materia:Biomecánica
lesiones profesionales
técnica guitarrística
Concierto de Aranjuez
Joaquin Rodrigo
Biomechanics
Occupational injuries
Guitar technique
Joaquín Rodrigo
Descripción
Sumario:The objects of study are the scalar and harmonic passages of the Concierto de Aranjuez for guitar and orchestra by Joaquin Rodrigo, which have demands of speed and technical stress for the interpreter, in light of the concepts of biomechanics. The project demonstrates basic knowledge for understanding of biomechanics and its usefulness to find options that allow fluid execution of the composition, considering the nature of the motor apparatus of the performer. Thus, the mechanical solutions presented may be useful for the improvement of guitar technique, and at the same time to prevent occupational injuries, and reducing its negative impact on the health of the guitarist.
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