La construcción del suspenso en Juego de tronos. Un análisis de caso

Descripción del Articulo

In words of Alfred Hitchcock, suspense is the most powerful tool that a film director has in order to maintain the attention of his audience. However, the interest for the understanding of this tool is precarious if you compare it with the benefits that triggers in the audience. The aim of this arti...

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Detalles Bibliográficos
Autor: Osorio Villanueva, Guillermo Marcelo Juan Enrique
Formato: tesis de grado
Fecha de Publicación:2023
Institución:Universidad de Lima
Repositorio:ULIMA-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.ulima.edu.pe:20.500.12724/19333
Enlace del recurso:https://hdl.handle.net/20.500.12724/19333
Nivel de acceso:acceso abierto
Materia:Series de televisión
Crítica cinematográfica
Comunicación / Artes visuales
Film criticism
https://purl.org/pe-repo/ocde/ford#5.08.00
Descripción
Sumario:In words of Alfred Hitchcock, suspense is the most powerful tool that a film director has in order to maintain the attention of his audience. However, the interest for the understanding of this tool is precarious if you compare it with the benefits that triggers in the audience. The aim of this article is to cover that precarious interest for its mechanisms introducing an approach for the analysis and the creation of suspense events. To achieve it, the text propose a matrix of suspense that contemplate the establishment of a moral system -whose objective is to explain why we feel empathy for beings that we do not know, knowing even that it is a fiction- and a system of probabilities that explore or enhance the dramatic tension. In order to develop it, we have analyzed four scenes of the successful TV series Game of Thrones: The Mountain and the Viper, The destruction of the Great Sept of Baelor, The death of the Night’s Watch rangers by the White Walkers, and The death of Tywin Lannister by Tyrion Lannister.
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