A mi manera ¿cómo ser guionista en un país sin industria audiovisual?

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This work describes my career and experience as a professional screenwriter over more than 25 years, during which I have led teams of writers and written for multiple productions successfully broadcast during prime time on the most important free-to-air television channels. Throughout this document,...

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Detalles Bibliográficos
Autor: Gutierrez Mongrut, Rosa Angelica
Formato: tesis de grado
Fecha de Publicación:2025
Institución:Universidad de Lima
Repositorio:ULIMA-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.ulima.edu.pe:20.500.12724/23035
Enlace del recurso:https://hdl.handle.net/20.500.12724/23035
Nivel de acceso:acceso abierto
Materia:Pendiente
https://purl.org/pe-repo/ocde/ford#5.08.00
Descripción
Sumario:This work describes my career and experience as a professional screenwriter over more than 25 years, during which I have led teams of writers and written for multiple productions successfully broadcast during prime time on the most important free-to-air television channels. Throughout this document, I reflect on the path I have taken to carve out a space for myself in an industry dominated by men, in a country with little to no audiovisual industry. Through the experiences I recount, I reveal an informal industry where I learned to navigate both its advantages and disadvantages in order to grow as a writer. Each job, each production, and each experience taught me something valuable that helped me progress toward a goal that was not so clear at the beginning: becoming a screenwriter. I am certain that these lessons can also be useful for aspiring screenwriters in Peru.
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