Memorias de los Ashaninka del río Ene durante la guerra interna peruana

Descripción del Articulo

In 1990 I was a young photojournalist and foreign press correspondent in Peru. After having traveled through several war zones in Ayacucho, I ventured into the remote Ene River valley, where a great drama was unfolding. As the army advanced and the Shining Path re...

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Detalles Bibliográficos
Autor: Balaguer, Alejandro
Formato: artículo
Fecha de Publicación:2024
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/200775
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/revistaira/article/view/29449/26625
https://repositorio.pucp.edu.pe/index/handle/123456789/200775
https://doi.org/10.18800/revistaira.202401.004
Nivel de acceso:acceso abierto
Materia:Internal war
Shining Path
Ashaninka
Community of Cutivireni
Ene River
Peruvian Army
20th century
Guerra interna
Sendero Luminoso
Comunidad de Cutivireni
Río Ene
Ejército peruano
Siglo XX
https://purl.org/pe-repo/ocde/ford#6.00.00
Descripción
Sumario:In 1990 I was a young photojournalist and foreign press correspondent in Peru. After having traveled through several war zones in Ayacucho, I ventured into the remote Ene River valley, where a great drama was unfolding. As the army advanced and the Shining Path retreated into the bush, hundreds of Ashaninka were being recovered and were arriving as refugees in the Ashaninka community of Cutivireni after having been kidnapped and taken captive by the armed columns of Shining Pathists. There are thousands of photographs and memories of those terrible days in the community that I want to share.Memories of human beings barricaded to survive; without food, refugees, destitute against disease, with cholera raging, taking rifle fire, avoiding murderous mines, sharing fears and smiles, and death ever-present. Recurring images that keep coming back to me and remain vivid despite the years, in memory and on photographic paper, and which I now try to awaken from oblivion.
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