El edificio en altura limeño: un patrimonio en construcción (1937-1969)

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This paper examines both the origin (memory) and current state (oblivion) of high-rise buildings in the Historic Center of Lima, which, built between 1937 and 1969, were innovative from functional and construction perspectives. Their development was largely driven by the need for reconstruction foll...

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Detalles Bibliográficos
Autor: Atoche Intili , Javier
Formato: artículo
Fecha de Publicación:2025
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/205345
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/ensayo/article/view/32515/28404
http://hdl.handle.net/20.500.14657/205345
https://doi.org/10.18800/ensayo.202507.006
Nivel de acceso:acceso abierto
Materia:Plan Piloto de Lima
Fernando Belaunde Terry
Town Planning Associates
Oficina Nacional de Planeamiento y Urbanismo
Multi-storey buildings
Cultural migrations
Fernando Belaúnde Terry
Edificios en altura
Migraciones culturales
https://purl.org/pe-repo/ocde/ford#6.04.08
Descripción
Sumario:This paper examines both the origin (memory) and current state (oblivion) of high-rise buildings in the Historic Center of Lima, which, built between 1937 and 1969, were innovative from functional and construction perspectives. Their development was largely driven by the need for reconstruction following the 1940 earthquake and was shaped by the urban regulations enacted in 1946. Cultural and professional exchanges, encouraged by U.S. foreign policy, facilitated connections between European architects who had emigrated and Peruvian professionals, significantly contributing to the city’s densification. European designers played a pivotal role in the introduction of these modern structures, with notable examples including the Arnodi Building (1950) by German architect Paul Linder, the Peruvian Swiss Insurance Company Building (1952–1956) by Swiss Theodor Cron, and the Savoy Hotel (1954–1957) by Italian Mario Bianco. Although initially celebrated, many of these buildings have since been abandoned, remodeled, or demolished due to the absence of state protection. This study highlights the economic, political, and cultural factors that support the argument for preserving these structures as part of Lima’s architectural heritage.
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