Entre la autoficción y la teoría expresiva del arte: "Efectos del amor propio" de Miguel Álvarez de Sotomayor (c. 1810)

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This paper aims to carry out an analysis of the novel Efectos del amor propio (c. 1810) using a broader theoretical framework than the one that has been used so far to study it. Thus, we consider that it can be typified as “autofiction”, a type of novel in which the identity of the main character an...

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Detalles Bibliográficos
Autor: Muñoz de Morales Galiana, Javier
Formato: artículo
Fecha de Publicación:2022
Institución:Pontificia Universidad Católica del Perú
Repositorio:PUCP-Institucional
Lenguaje:español
OAI Identifier:oai:repositorio.pucp.edu.pe:20.500.14657/193444
Enlace del recurso:https://revistas.pucp.edu.pe/index.php/lexis/article/view/26358/24835
https://repositorio.pucp.edu.pe/index/handle/123456789/193444
https://doi.org/10.18800/lexis.202202.011
Nivel de acceso:acceso abierto
Materia:Romanticism
Epistolary novel
Autobiography
Lyrical prose
romanticismo
Novela epistolar
Autobiografía
Prosa lírica
https://purl.org/pe-repo/ocde/ford#6.02.06
Descripción
Sumario:This paper aims to carry out an analysis of the novel Efectos del amor propio (c. 1810) using a broader theoretical framework than the one that has been used so far to study it. Thus, we consider that it can be typified as “autofiction”, a type of novel in which the identity of the main character and that of the author are mixed up, and which is conditioned by a new way of understanding artistic creation that emerged in the early nineteenth century: the “expressive theory of art”, applicable to works whose main purpose was the intimate venting of the author.
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