Trilce y España, aparta de mí este cáliz: La palabra y la idea de libertad en Vallejo (y una correspondencia posible con Sade)

• Autor: Márquez Arreaza, Dionisio
• Formato: artículo
• Fecha de Publicación: 2024
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: español
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/200691
• Enlace del recurso: https://revistas.pucp.edu.pe/index.php/lexis/article/view/29267/26568; https://repositorio.pucp.edu.pe/index/handle/123456789/200691; https://doi.org/10.18800/lexis.202401.013
• Nivel de acceso: acceso abierto
• Materia: Vallejo; Verbal freedom; Prison; Death; Sade; Libertad verbal; Cárcel; Muerte; https://purl.org/pe-repo/ocde/ford#6.02.06

This essay studies two works by César Vallejo and, in a complementary manner, a possible correspondence with the Marquis de Sade. In Trilce (1922), the crisis of language is studied through the verbal construction, the eschatological theme and the creation-destruction dialectic based on prison experience. The verbal rupture “frees” the imprisoned poet from jail. In España, aparta de mí este cáliz (1939), the transformation of the cadaver into a project for life is studied from a triple discourse that combines the poetic, the political and the religious in favor of the Spanish republican revolutionary movement. The comparison between the popular God-believing intellectual of the twentieth century and the dix-septièmiste aristocratic-revolutionary pornographer shows two poets of the obscure side of modernity.