Nuestro contemporáneo Óscar Liera:

• Autor: Velázquez Hernández, Santos Javier
• Formato: artículo
• Fecha de Publicación: 2022
• Institución: Pontificia Universidad Católica del Perú
• Repositorio: PUCP-Institucional
• Lenguaje: español
• OAI Identifier: oai:repositorio.pucp.edu.pe:20.500.14657/202717
• Enlace del recurso: https://revistas.pucp.edu.pe/index.php/kaylla/article/view/25435/24590; https://doi.org/10.18800/kaylla.202201.010
• Nivel de acceso: acceso abierto
• Materia: Cultural History; Representation; Intellectual Authoritarianism; Public space; Mexico; Historia Cultural; Representación; Autoritarismo Intelectual; Espacio Público; México; História Cultural; Representação; Espaço Público; https://purl.org/pe-repo/ocde/ford#6.04.04

This article approaches three "political" plays by playwright Óscar Liera, El jinete de la Divina Providencia (1985), Los caminos solos (1987) and Camino rojo a Sabaiba (1988), from a cultural history perspective. Based on the concept of "representation", we study how the author created a social identity through his works, interviews, and public letters, to confront to authoritarianism of the State in the eighties in Mexico. Through the genre of farce, with topics such as social justice, political corruption or cacicazgo, he set out to create citizenship in the spectator/reader. His works are the positioning of an intellectual in the public space, and whose ethical resistance is indispensable even in the scenario of Latin American democracy.