Paco Yunque and the legal concept of person

• Autor: Rodríguez Chávez, Iván
• Formato: artículo
• Fecha de Publicación: 2011
• Institución: Universidad Ricardo Palma
• Repositorio: Revistas - Universidad Ricardo Palma
• Lenguaje: español
• OAI Identifier: oai:oai.revistas.urp.edu.pe:article/5618
• Enlace del recurso: http://revistas.urp.edu.pe/index.php/Inkarri/article/view/5618
• Nivel de acceso: acceso abierto

The complete work of César Vallejo includes poetry, essays, narrative and theater. The highest values ​​correspond to poetry as an intellectual and creative activity to the point that practically the author's name is closely associated with this genre, constituting the Vallejo-poetry pairing, which relegates the rest to the background. A greater approach to his literature is required to identify his other productions and find the eigenvalues ​​of each of his texts. Storytelling was not a job alien to Vallejo. He practiced it from the earliest times as a writer. Proof of this is in Escalas, known as Escalas melographadas (Lima 1923), whose chronology fixes the moments of his imprisonment in jail between 1920 and 1921 as those of his first writing. The same year of 1923, months after Escalas, he will publish in the collection of the Peruvian novel by Pedro Barrantes Castro, Fabla salvaje; two works that he left before leaving for Europe.