The contemporary theatrical event. Notes on its development in Lima

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The article puts into focus the components of the contemporary theatrical event. To do this, it reviews several categories, such as ‘theatricality´ and ‘performance’, as well as the role of words within a scenic materiality constructed begenning with the moving body. It also examines the role of the...

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Detalles Bibliográficos
Autor: Esquivel Roca, María Milagros
Formato: artículo
Fecha de Publicación:2021
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/19778
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/19778
Nivel de acceso:acceso abierto
Materia:teatralidad
corporalidad
performance
theatricality
corporality
Descripción
Sumario:The article puts into focus the components of the contemporary theatrical event. To do this, it reviews several categories, such as ‘theatricality´ and ‘performance’, as well as the role of words within a scenic materiality constructed begenning with the moving body. It also examines the role of the audience as an observing translator of the meanings of the scenic event of which it partakes. This article approaches an understanding of the scenic or theatrical event through authors such as Artaud, Dubatti, Fischer-Lichte, Lehmman, Prieto and Rancière, among others. A theoretical framework is attempted for a certain theatricality that integrates any scenic manifestation in which space, sound, and body are fibers of a multi-sensory textual weave whose full meaning is wholly completed only by an active spectator.
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