Montaje, tramas paralelas e ironía dramática en el relato cinematográfico

Descripción del Articulo

Cinema is young narrative phenomenon. Given that its development has been —and continues to be— vertiginous, it is, sometimes, quite difficult to explain. The different elements that play a part in the development of stories —images, sounds, montage, etc.— are so many and so different that to explai...

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Detalles Bibliográficos
Autor: Sarmiento Herencia, Diego Alonso
Formato: artículo
Fecha de Publicación:2020
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/19617
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/19617
Nivel de acceso:acceso abierto
Materia:Literatura
Cine
Montaje
Tramas paralelas
Estructura
Literature
Cinema
Montage
Parallel storylines
Descripción
Sumario:Cinema is young narrative phenomenon. Given that its development has been —and continues to be— vertiginous, it is, sometimes, quite difficult to explain. The different elements that play a part in the development of stories —images, sounds, montage, etc.— are so many and so different that to explain or define them is too grand a chore for a single document. This paper aims at identifying and describing, from the relations between cinema and literature, and from an structural point of view, the montage technics, the construction of parallel storylines and dramatic irony, all of which are important components of modern cinema.
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