El coral de la Novena sinfonía de Beethoven y su relación con el lied Gegenliebe y la Fantasía para piano, coro y orquesta del mismo compositor

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The present research deals with the Chorale of the fourth movement of Beethoven’s Ninth Symphony, for which the source of the musical idea is sought and takes shape, based on references related firstly to the second lied Gegenliebede the secular cantata Seufzer eines Ungeliebten - Gegenliebe WoO 118...

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Detalles Bibliográficos
Autores: Kansumanht Schiaffino, Karla Yvonne, Schiaffino Alvarado, Gladys Yvonne
Formato: artículo
Fecha de Publicación:2023
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/21945
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/tesis/article/view/21945
Nivel de acceso:acceso abierto
Materia:Beethoven
Ninth Choral Symphony
lied
Fantasy
Ode to Joy
Novena sinfonía coral
Fantasía
Himno a la alegría
Descripción
Sumario:The present research deals with the Chorale of the fourth movement of Beethoven’s Ninth Symphony, for which the source of the musical idea is sought and takes shape, based on references related firstly to the second lied Gegenliebede the secular cantata Seufzer eines Ungeliebten - Gegenliebe WoO 118, composed by a young Beethoven. The second reference is the Fantasy for piano, choir and orchestra in C minor, op. 80, composed when Beethoven was 38 years old. This work has a similarity with the fourth movement of the Ninth Symphony by the same composer, both in the themes and in the musical ensemble in general, especially with the jubilant entrance of the choir’s “Ode to Joy”. An analysis of the three works is made of both the texts of the poets Bürger and Schiller, as well as the vocal, choral and instrumental music that gave birth to the choral symphony in Beethoven’s Ninth.
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