Power and violence: the visual discourse of the Christopher Columbus monument (and the indigenous woman)

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The management of cultural heritage becomes a contested field in which the collective imaginaries play a central role. Accordingly, different elements composing our urban landscape are being criticized and within this critique the case of the Christopher Columbus monument will be addressed, by break...

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Detalles Bibliográficos
Autor: Ayala Del Río Cépeda, David
Formato: artículo
Fecha de Publicación:2022
Institución:Universidad Nacional Mayor de San Marcos
Repositorio:Revistas - Universidad Nacional Mayor de San Marcos
Lenguaje:español
OAI Identifier:oai:ojs.csi.unmsm:article/20214
Enlace del recurso:https://revistasinvestigacion.unmsm.edu.pe/index.php/discursos/article/view/20214
Nivel de acceso:acceso abierto
Materia:patrimonio cultural
monumentos
símbolos coloniales
sexo-género
cultural heritage
monuments
colonial symbols
sex-gender
Descripción
Sumario:The management of cultural heritage becomes a contested field in which the collective imaginaries play a central role. Accordingly, different elements composing our urban landscape are being criticized and within this critique the case of the Christopher Columbus monument will be addressed, by breaking down the patriarchal and colonial symbolic elements of its composition. To this effect, an historical analysis of the social and cultural processes leading to the normalization of these monuments throughout the development of the republic, and the response in the collective consciousness that has led to different actions and critical initiatives. The article thus aims to open a reflective debate on the development of our republic in the face of the bicentennial and to draw attention on the necessary critical management of our public spaces.
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