Narrative, ideology and political effect in PERSEPOLIS

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The present study analyzes Persepolis (2000), the autobiographical comic by the Iranian Marjane Satrapi (1969). The play was awarded the prize to the Best Screenplay in Angoulême in 2002, which is one of the largest comics festivals worldwide. The story was subsequent- ly adapted into a film and won...

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Detalles Bibliográficos
Autor: Ruiz Dodobara, Rosa
Formato: artículo
Fecha de Publicación:2016
Institución:Universidad Femenina del Sagrado Corazón
Repositorio:Revistas - Universidad Femenina del Sagrado Corazón
Lenguaje:español
OAI Identifier:oai:ojs.revistas.unife.edu.pe:article/2029
Enlace del recurso:https://revistas.unife.edu.pe/index.php/comunife/article/view/2029
Nivel de acceso:acceso abierto
Materia:comics, autobiography, modernism and postmodernism
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spelling Narrative, ideology and political effect in PERSEPOLISNarrativa, ideología y efecto político en PERSÉPOLISRuiz Dodobara, Rosacomics, autobiography, modernism and postmodernismThe present study analyzes Persepolis (2000), the autobiographical comic by the Iranian Marjane Satrapi (1969). The play was awarded the prize to the Best Screenplay in Angoulême in 2002, which is one of the largest comics festivals worldwide. The story was subsequent- ly adapted into a film and won the Special Jury Prize of Cannes Film Festival in 2007. The play is an effort to rebuild the life of the author, her autobiography, which is delimited in the modernism and postmodernism during 1979 to 1994. That was the period where she spent her childhood, adolescence and youth in the middle of the controversial political context of her country, Iran, and also included her stay of three years in Vienna.El presente trabajo analiza la historieta autobiográfica Persépolis (2000) de la iraní Marjane Satrapi (1969). En 2002, la obra obtuvo el premio al Mejor Guion de Angoulême, uno de los principales festivales de historieta a nivel mundial. Posteriormente, la historia fue adaptada al cine y ganó el Premio Especial del Jurado del Festival de Cannes 2007. La obra constituye un intento por reconstruir la vida de la autora, su autobiografía, enmarcada en la modernidad y posmodernidad, en el lapso de 1979 a 1994, período en que pasa por la niñez, adolescencia y juventud, en medio del conflictivo contexto político de su país, Irán, y su estadía de tres años en Viena.UNIFE2016-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unife.edu.pe/index.php/comunife/article/view/202910.33539/comunife.2016.n16.2029Comunifé; Vol. 16 No. XVI (2016): Comunifé: Revista de Comunicación Social; 27-33Comunifé; Vol. 16 Núm. XVI (2016): Comunifé: Revista de Comunicación Social; 27-332708-63991810-6994reponame:Revistas - Universidad Femenina del Sagrado Corazóninstname:Universidad Femenina del Sagrado Corazóninstacron:UNIFEspahttps://revistas.unife.edu.pe/index.php/comunife/article/view/2029/2074Derechos de autor 2016 Rosa Ruiz Dodobarainfo:eu-repo/semantics/openAccessoai:ojs.revistas.unife.edu.pe:article/20292022-03-29T11:52:40Z
dc.title.none.fl_str_mv Narrative, ideology and political effect in PERSEPOLIS
Narrativa, ideología y efecto político en PERSÉPOLIS
title Narrative, ideology and political effect in PERSEPOLIS
spellingShingle Narrative, ideology and political effect in PERSEPOLIS
Ruiz Dodobara, Rosa
comics, autobiography, modernism and postmodernism
title_short Narrative, ideology and political effect in PERSEPOLIS
title_full Narrative, ideology and political effect in PERSEPOLIS
title_fullStr Narrative, ideology and political effect in PERSEPOLIS
title_full_unstemmed Narrative, ideology and political effect in PERSEPOLIS
title_sort Narrative, ideology and political effect in PERSEPOLIS
dc.creator.none.fl_str_mv Ruiz Dodobara, Rosa
author Ruiz Dodobara, Rosa
author_facet Ruiz Dodobara, Rosa
author_role author
dc.subject.none.fl_str_mv comics, autobiography, modernism and postmodernism
topic comics, autobiography, modernism and postmodernism
description The present study analyzes Persepolis (2000), the autobiographical comic by the Iranian Marjane Satrapi (1969). The play was awarded the prize to the Best Screenplay in Angoulême in 2002, which is one of the largest comics festivals worldwide. The story was subsequent- ly adapted into a film and won the Special Jury Prize of Cannes Film Festival in 2007. The play is an effort to rebuild the life of the author, her autobiography, which is delimited in the modernism and postmodernism during 1979 to 1994. That was the period where she spent her childhood, adolescence and youth in the middle of the controversial political context of her country, Iran, and also included her stay of three years in Vienna.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-29
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.unife.edu.pe/index.php/comunife/article/view/2029
10.33539/comunife.2016.n16.2029
url https://revistas.unife.edu.pe/index.php/comunife/article/view/2029
identifier_str_mv 10.33539/comunife.2016.n16.2029
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.unife.edu.pe/index.php/comunife/article/view/2029/2074
dc.rights.none.fl_str_mv Derechos de autor 2016 Rosa Ruiz Dodobara
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2016 Rosa Ruiz Dodobara
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UNIFE
publisher.none.fl_str_mv UNIFE
dc.source.none.fl_str_mv Comunifé; Vol. 16 No. XVI (2016): Comunifé: Revista de Comunicación Social; 27-33
Comunifé; Vol. 16 Núm. XVI (2016): Comunifé: Revista de Comunicación Social; 27-33
2708-6399
1810-6994
reponame:Revistas - Universidad Femenina del Sagrado Corazón
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instname_str Universidad Femenina del Sagrado Corazón
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reponame_str Revistas - Universidad Femenina del Sagrado Corazón
collection Revistas - Universidad Femenina del Sagrado Corazón
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