Antihero configuration and time

Descripción del Articulo

If the hero figure has been traditionally associated with better times, a time that won’t come back; if he’s the pragmatic ideal that inspires the future, he must be imitated, he must be reached; if the hero belongs to the victors stance; if men and arts sublime and put him in comfortable glory; if...

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Detalles Bibliográficos
Autor: Cappello, Giancarlo
Formato: artículo
Fecha de Publicación:2008
Institución:Universidad de Lima
Repositorio:Revistas - Universidad de Lima
Lenguaje:español
OAI Identifier:oai:revistas.ulima.edu.pe:article/789
Enlace del recurso:https://revistas.ulima.edu.pe/index.php/contratexto/article/view/789
Nivel de acceso:acceso abierto
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spelling Antihero configuration and timeConfiguración y tiempo del antihéroeCappello, GiancarloIf the hero figure has been traditionally associated with better times, a time that won’t come back; if he’s the pragmatic ideal that inspires the future, he must be imitated, he must be reached; if the hero belongs to the victors stance; if men and arts sublime and put him in comfortable glory; if his image goes around as a figure of joy that we build and internalize through a variety of stories in which we devote ourselves to his virtues: ¿What have happened with this modernity hero? This text attempts to investigate the time and characteristics of these characters of modernity that are classified as nonheroic, but nevertheless have won our regard and today wear the same golden band of the famous.Si la figura del héroe ha estado asociada tradicionalmente a un pasado mejor; si es el ideal paradigmático que sirve de inspiración para el futuro; si su imagen circula como una estampa de dicha que construimos e interiorizamos a través de distintos relatos para encomendarnos a sus virtudes: ¿qué ha pasado con el héroe de esta modernidad? Este texto pretende indagar en el tiempo y las características de esos personajes de la modernidad sindicados como no heroicos, pero que han ganado en aprecio y hoy lucen los mismos galones de los más famosos.Universidad de Lima. Facultad de Comunicación2008-10-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/78910.26439/contratexto2008.n016.789Contratexto; No. 016 (2008); 171-181Contratexto; Núm. 016 (2008); 171-181Contratexto; n. 016 (2008); 171-1811993-49041025-994510.26439/contratexto2008.n016reponame:Revistas - Universidad de Limainstname:Universidad de Limainstacron:ULIMAspahttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/789/761Derechos de autor 2017 Contratextoinfo:eu-repo/semantics/openAccessoai:revistas.ulima.edu.pe:article/7892023-07-21T20:07:24Z
dc.title.none.fl_str_mv Antihero configuration and time
Configuración y tiempo del antihéroe
title Antihero configuration and time
spellingShingle Antihero configuration and time
Cappello, Giancarlo
title_short Antihero configuration and time
title_full Antihero configuration and time
title_fullStr Antihero configuration and time
title_full_unstemmed Antihero configuration and time
title_sort Antihero configuration and time
dc.creator.none.fl_str_mv Cappello, Giancarlo
author Cappello, Giancarlo
author_facet Cappello, Giancarlo
author_role author
description If the hero figure has been traditionally associated with better times, a time that won’t come back; if he’s the pragmatic ideal that inspires the future, he must be imitated, he must be reached; if the hero belongs to the victors stance; if men and arts sublime and put him in comfortable glory; if his image goes around as a figure of joy that we build and internalize through a variety of stories in which we devote ourselves to his virtues: ¿What have happened with this modernity hero? This text attempts to investigate the time and characteristics of these characters of modernity that are classified as nonheroic, but nevertheless have won our regard and today wear the same golden band of the famous.
publishDate 2008
dc.date.none.fl_str_mv 2008-10-12
dc.type.none.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.none.fl_str_mv https://revistas.ulima.edu.pe/index.php/contratexto/article/view/789
10.26439/contratexto2008.n016.789
url https://revistas.ulima.edu.pe/index.php/contratexto/article/view/789
identifier_str_mv 10.26439/contratexto2008.n016.789
dc.language.none.fl_str_mv spa
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dc.relation.none.fl_str_mv https://revistas.ulima.edu.pe/index.php/contratexto/article/view/789/761
dc.rights.none.fl_str_mv Derechos de autor 2017 Contratexto
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2017 Contratexto
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidad de Lima. Facultad de Comunicación
publisher.none.fl_str_mv Universidad de Lima. Facultad de Comunicación
dc.source.none.fl_str_mv Contratexto; No. 016 (2008); 171-181
Contratexto; Núm. 016 (2008); 171-181
Contratexto; n. 016 (2008); 171-181
1993-4904
1025-9945
10.26439/contratexto2008.n016
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