Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work
Descripción del Articulo
Harun Farocki's work (1944-2014) has spanned for more than five decades, and has dealt primarily with the image, its meanings, its relationship with the mass ideology, and the possibilities and limits of its automation and mechanization in the digital age. Through the found footage technique, F...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2020 |
| Institución: | Universidad de Lima |
| Repositorio: | Revistas - Universidad de Lima |
| Lenguaje: | español |
| OAI Identifier: | oai:revistas.ulima.edu.pe:article/4865 |
| Enlace del recurso: | https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865 |
| Nivel de acceso: | acceso abierto |
| Materia: | documentary film essay cinema media studies found footage documental ensayo fílmico cine estudio de medios Documentário ensaio fílmico estudo na mídia |
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Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s workCine de apropiación en los albores de la era digital: reflexiones a partir de la obra de Harun FarockiApropriação do cinema no início da era digital: reflexões da obra de FarockiFlores Fernández, Camila documentaryfilm essaycinemamedia studiesfound footagedocumentalensayo fílmicocineestudio de mediosfound footageDocumentárioensaio fílmicocinemaestudo na mídiafound footageHarun Farocki's work (1944-2014) has spanned for more than five decades, and has dealt primarily with the image, its meanings, its relationship with the mass ideology, and the possibilities and limits of its automation and mechanization in the digital age. Through the found footage technique, Farocki has established throughout his career different analytical strategies that have allowed him, through his film works, to propose an exhaustive review and criticism of the image and its implications. This essay seeks to propose reflections, based on Farocki's work, about the politics of the image, the relationship with the author / producer and its role in ideological, political and social spheres.La obra de Harun Farocki (1944-2014) se ha extendido por más de cinco décadas, y ha tratado de manera primordial la imagen, sus significados, su relación con la ideología de masas, y las posibilidades y límites de su automatización y mecanización en la era digital. Mediante la técnica de found footage, Farocki ha establecido a lo largo de su trayectoria diferentes estrategias analíticas que le han permitido, a través de sus obras fílmicas, proponer una exhaustiva revisión y crítica a la imagen y sus implicaciones. En este ensayo se busca proponer reflexiones, a partir de la obra de Farocki, en torno a las políticas de la imagen, la relación con el autor / productor y su función en las esferas ideológicas, políticas y sociales.O trabalho de Harun Farocki (1944-2014) se estende por mais de cinco décadas e trata principalmente da imagem, seus significados, sua relação com a ideologia de massa, e as possibilidades e limites da sua automação e mecanização na era digital. Por meio da técnica de found footage, Farocki tem estabelecido, através de suas obras cinematográficas, diferentes estratégias analíticas que permitiram-lhe propor uma revisão e crítica exaustivas da imagem e suas implicações. Este ensaio pretende propor reflexões sobre a política da imagem, a relação com o autor/produtor e seupapel nas esferas ideológicas, políticas e sociais, baseadas no trabalho de Farocki.Universidad de Lima. Facultad de Comunicación2020-11-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionEvaluado por paresapplication/pdftext/htmlhttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/486510.26439/contratexto2020.n034.4865Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 51-65Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 51-65Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 51-651993-49041025-994510.26439/contratexto2020.n034reponame:Revistas - Universidad de Limainstname:Universidad de Limainstacron:ULIMAspahttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865/4763https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865/4833Derechos de autor 2020 Contratextohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessoai:revistas.ulima.edu.pe:article/48652024-05-20T16:58:42Z |
| dc.title.none.fl_str_mv |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work Cine de apropiación en los albores de la era digital: reflexiones a partir de la obra de Harun Farocki Apropriação do cinema no início da era digital: reflexões da obra de Farocki |
| title |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| spellingShingle |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work Flores Fernández, Camila documentary film essay cinema media studies found footage documental ensayo fílmico cine estudio de medios found footage Documentário ensaio fílmico cinema estudo na mídia found footage |
| title_short |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| title_full |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| title_fullStr |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| title_full_unstemmed |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| title_sort |
Appropriation cinema at the dawn of the digital age: reflections from Harun Farocki’s work |
| dc.creator.none.fl_str_mv |
Flores Fernández, Camila |
| author |
Flores Fernández, Camila |
| author_facet |
Flores Fernández, Camila |
| author_role |
author |
| dc.subject.none.fl_str_mv |
documentary film essay cinema media studies found footage documental ensayo fílmico cine estudio de medios found footage Documentário ensaio fílmico cinema estudo na mídia found footage |
| topic |
documentary film essay cinema media studies found footage documental ensayo fílmico cine estudio de medios found footage Documentário ensaio fílmico cinema estudo na mídia found footage |
| description |
Harun Farocki's work (1944-2014) has spanned for more than five decades, and has dealt primarily with the image, its meanings, its relationship with the mass ideology, and the possibilities and limits of its automation and mechanization in the digital age. Through the found footage technique, Farocki has established throughout his career different analytical strategies that have allowed him, through his film works, to propose an exhaustive review and criticism of the image and its implications. This essay seeks to propose reflections, based on Farocki's work, about the politics of the image, the relationship with the author / producer and its role in ideological, political and social spheres. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-11-26 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Evaluado por pares |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865 10.26439/contratexto2020.n034.4865 |
| url |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865 |
| identifier_str_mv |
10.26439/contratexto2020.n034.4865 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865/4763 https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4865/4833 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2020 Contratexto https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2020 Contratexto https://creativecommons.org/licenses/by-nc/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf text/html |
| dc.publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| dc.source.none.fl_str_mv |
Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 51-65 Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 51-65 Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 51-65 1993-4904 1025-9945 10.26439/contratexto2020.n034 reponame:Revistas - Universidad de Lima instname:Universidad de Lima instacron:ULIMA |
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Universidad de Lima |
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ULIMA |
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ULIMA |
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Revistas - Universidad de Lima |
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Revistas - Universidad de Lima |
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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
