The strategies of belief in Quentin Tarantino’s The Hateful Eight
Descripción del Articulo
This article proposes a semiotic-structural analysis of Quentin Tarantino's film The Hateful Eight (2015). Our work incorporates elements from filmic narratology, in particular the idea of Emily Anderson's unreliable narrator, which highlights the possibility of an overall unreliable dis...
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| Formato: | artículo |
| Fecha de Publicación: | 2020 |
| Institución: | Universidad de Lima |
| Repositorio: | Revistas - Universidad de Lima |
| Lenguaje: | español |
| OAI Identifier: | oai:revistas.ulima.edu.pe:article/4875 |
| Enlace del recurso: | https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875 |
| Nivel de acceso: | acceso abierto |
| Materia: | semiotics narratology belief The Hateful Eight Quentin Tarantino Semiótica narratología creencia semiótica narratologia crença |
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The strategies of belief in Quentin Tarantino’s The Hateful EightLas estrategias del creer en Los ocho más odiados, de Quentin TarantinoAs estratégias de crença em Os oito odiados, de Quentin TarantinoNúñez Alberca, Alejandro semioticsnarratologybeliefThe Hateful EightQuentin TarantinoSemióticanarratologíacreenciaThe Hateful EightQuentin TarantinosemióticanarratologiacrençaThe Hateful EightQuentin TarantinoThis article proposes a semiotic-structural analysis of Quentin Tarantino's film The Hateful Eight (2015). Our work incorporates elements from filmic narratology, in particular the idea of Emily Anderson's unreliable narrator, which highlights the possibility of an overall unreliable discourse. Our analysis shows that the film, both at the level of the narrative and the discourse itself, presents a series of manipulative simulations that allow its actants to organize the cognitive dimension of knowledge and belief to their advantage. This reveals a device that not only allows characters to deceive others with their speeches, but also the enunciator which operates at a higher level. Therefore, the film transforms underreporting and misreporting into its key tools.El presente artículo propone un análisis semiótico-estructural de la película de Quentin Tarantino Los ocho más odiados (The Hateful Eight, 2015). Nuestro trabajo incorpora elementos provenientes de la narratología fílmica, en particular la idea del unreliable narrator de Emily Anderson, quien plantea la posibilidad de un narrador no confiable al interior del discurso. El análisis demuestra que el filme, tanto al nivel del relato como del discurso, presenta una serie de simulacros manipulatorios que les permiten a sus actantes organizar la dimensión cognitiva del saber y el creer. Se revela un dispositivo que no solo permite a los personajes engañar a otros con sus discursos, sino también al enunciador que opera en un nivel superior. De este modo, el filme convierte la subinformación y la contrainformación en sus instrumentos clave.O presente artigo propõe uma análise semiótico-estrutural do filme deQuentin Tarantino Os oito odiados (The Hateful Eight, 2015). Nosso trabalho incorpora elementos da narratologia fílmica, em particular a ideia do unrealiable narrator de Emily Anderson, que propõe a possibilidade de um narrador não confiável no discurso. Nossa análise demonstra que o filme apresenta, tanto no nível da narrativa quanto do próprio discurso, uma série de simulações manipulativas que permitem que seus actantes organizem a dimensão cognitiva do conhecimento e da crença. Isso revela um dispositivo que não permite apenas que os personagens enganem os outros com seus discursos, mas também o próprio enunciador que opera em um nível superior. Dessa maneira, o filme transforma as sub-informações e as contra-informações em seus principais instrumentos.Universidad de Lima. Facultad de Comunicación2020-11-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/487510.26439/contratexto2020.n034.4875Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 243-264Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 243-264Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 243-2641993-49041025-994510.26439/contratexto2020.n034reponame:Revistas - Universidad de Limainstname:Universidad de Limainstacron:ULIMAspahttps://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875/4772https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875/4842Derechos de autor 2020 Contratextohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessoai:revistas.ulima.edu.pe:article/48752024-05-20T16:58:40Z |
| dc.title.none.fl_str_mv |
The strategies of belief in Quentin Tarantino’s The Hateful Eight Las estrategias del creer en Los ocho más odiados, de Quentin Tarantino As estratégias de crença em Os oito odiados, de Quentin Tarantino |
| title |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| spellingShingle |
The strategies of belief in Quentin Tarantino’s The Hateful Eight Núñez Alberca, Alejandro semiotics narratology belief The Hateful Eight Quentin Tarantino Semiótica narratología creencia The Hateful Eight Quentin Tarantino semiótica narratologia crença The Hateful Eight Quentin Tarantino |
| title_short |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| title_full |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| title_fullStr |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| title_full_unstemmed |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| title_sort |
The strategies of belief in Quentin Tarantino’s The Hateful Eight |
| dc.creator.none.fl_str_mv |
Núñez Alberca, Alejandro |
| author |
Núñez Alberca, Alejandro |
| author_facet |
Núñez Alberca, Alejandro |
| author_role |
author |
| dc.subject.none.fl_str_mv |
semiotics narratology belief The Hateful Eight Quentin Tarantino Semiótica narratología creencia The Hateful Eight Quentin Tarantino semiótica narratologia crença The Hateful Eight Quentin Tarantino |
| topic |
semiotics narratology belief The Hateful Eight Quentin Tarantino Semiótica narratología creencia The Hateful Eight Quentin Tarantino semiótica narratologia crença The Hateful Eight Quentin Tarantino |
| description |
This article proposes a semiotic-structural analysis of Quentin Tarantino's film The Hateful Eight (2015). Our work incorporates elements from filmic narratology, in particular the idea of Emily Anderson's unreliable narrator, which highlights the possibility of an overall unreliable discourse. Our analysis shows that the film, both at the level of the narrative and the discourse itself, presents a series of manipulative simulations that allow its actants to organize the cognitive dimension of knowledge and belief to their advantage. This reveals a device that not only allows characters to deceive others with their speeches, but also the enunciator which operates at a higher level. Therefore, the film transforms underreporting and misreporting into its key tools. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-11-26 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875 10.26439/contratexto2020.n034.4875 |
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https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875 |
| identifier_str_mv |
10.26439/contratexto2020.n034.4875 |
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spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875/4772 https://revistas.ulima.edu.pe/index.php/contratexto/article/view/4875/4842 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2020 Contratexto https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2020 Contratexto https://creativecommons.org/licenses/by-nc/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf text/html |
| dc.publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| publisher.none.fl_str_mv |
Universidad de Lima. Facultad de Comunicación |
| dc.source.none.fl_str_mv |
Contratexto; No. 034 (2020): Reinventions and new poetics of cinema in the post-internet era; 243-264 Contratexto; Núm. 034 (2020): Reinvenciones y nuevas poéticas del cine en la era post-internet; 243-264 Contratexto; n. 034 (2020): Reinvenções e novas poéticas do cinema na era pós-internet; 243-264 1993-4904 1025-9945 10.26439/contratexto2020.n034 reponame:Revistas - Universidad de Lima instname:Universidad de Lima instacron:ULIMA |
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Universidad de Lima |
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ULIMA |
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ULIMA |
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Revistas - Universidad de Lima |
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Revistas - Universidad de Lima |
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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
