The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)

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This article presents a study of the animated short films that won the Academy Award from 2011 to 2015, specifically focusing on how their protagonists move the story forward. The main characters in these five case studies are presented in a monotonous routine. This analysis has found that their lon...

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Detalles Bibliográficos
Autores: Atarama Rojas, Tomás, Castañeda-Purizaga, Lucía
Formato: artículo
Fecha de Publicación:2017
Institución:Universidad de Piura
Repositorio:Revista de Comunicación
Lenguaje:español
OAI Identifier:oai:revistas.udep.edu.pe:article/1002
Enlace del recurso:https://revistadecomunicacion.com/article/view/1002
Nivel de acceso:acceso abierto
Materia:Poética
personajes
Aristóteles
cortometrajes
guion
ficción audiovisual
Poetics
characters
Aristotle
short films
screenwriting
fiction
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network_name_str Revista de Comunicación
repository_id_str
spelling The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)La ruptura de la rutina y la soledad de los protagonistas como detonante de las grandes historias breves:: Análisis de los cortometrajes animados ganadores del Oscar (2011-2015)Atarama Rojas, TomásCastañeda-Purizaga, LucíaPoéticapersonajesAristótelescortometrajesguionficción audiovisualPoeticscharactersAristotleshort filmsscreenwritingfictionThis article presents a study of the animated short films that won the Academy Award from 2011 to 2015, specifically focusing on how their protagonists move the story forward. The main characters in these five case studies are presented in a monotonous routine. This analysis has found that their lonely life is disrupted by an event out of the ordinary, which sets the story in motion. Along with this, the article illustrates that short films tend to develop a single plot and a single action with a single climax.Este artículo presenta un estudio de los cortometrajes animados ganadores del premio Oscar del año 2011 al 2015, donde se analiza de modo específico a los protagonistas y la manera en que estos mueven la historia. Los resultados señalan que los protagonistas son presentados en una vida rutinaria y solitaria que se ve interrumpida por un acontecimiento fuera de lo normal; este contraste sirve como detonante de la historia. Además, este artículo muestra que los cortometrajes analizados tienden a desarrollar una sola trama y una acción simple con un solo clímax.Universidad de Piura. Facultad de Comunicación2017-03-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticle evaluated by pairsArtículo evaluado por paresapplication/pdfhttps://revistadecomunicacion.com/article/view/1002Revista de Comunicación; Vol. 16 No. 1 (2017); 9-28Revista de Comunicación; Vol. 16 Núm. 1 (2017); 9-282227-14651684-0933reponame:Revista de Comunicacióninstname:Universidad de Piurainstacron:UDEPspahttps://revistadecomunicacion.com/article/view/1002/967Derechos de autor 2017 Revista de Comunicacióninfo:eu-repo/semantics/openAccessoai:revistas.udep.edu.pe:article/10022019-08-19T17:45:14Z
dc.title.none.fl_str_mv The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
La ruptura de la rutina y la soledad de los protagonistas como detonante de las grandes historias breves:: Análisis de los cortometrajes animados ganadores del Oscar (2011-2015)
title The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
spellingShingle The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
Atarama Rojas, Tomás
Poética
personajes
Aristóteles
cortometrajes
guion
ficción audiovisual
Poetics
characters
Aristotle
short films
screenwriting
fiction
title_short The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
title_full The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
title_fullStr The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
title_full_unstemmed The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
title_sort The disruption of the protagonist’s routine and loneliness as a detonator of great short stories:: Analysis of five animated short films which won the Academy Award (2011-2015)
dc.creator.none.fl_str_mv Atarama Rojas, Tomás
Castañeda-Purizaga, Lucía
author Atarama Rojas, Tomás
author_facet Atarama Rojas, Tomás
Castañeda-Purizaga, Lucía
author_role author
author2 Castañeda-Purizaga, Lucía
author2_role author
dc.subject.none.fl_str_mv Poética
personajes
Aristóteles
cortometrajes
guion
ficción audiovisual
Poetics
characters
Aristotle
short films
screenwriting
fiction
topic Poética
personajes
Aristóteles
cortometrajes
guion
ficción audiovisual
Poetics
characters
Aristotle
short films
screenwriting
fiction
description This article presents a study of the animated short films that won the Academy Award from 2011 to 2015, specifically focusing on how their protagonists move the story forward. The main characters in these five case studies are presented in a monotonous routine. This analysis has found that their lonely life is disrupted by an event out of the ordinary, which sets the story in motion. Along with this, the article illustrates that short films tend to develop a single plot and a single action with a single climax.
publishDate 2017
dc.date.none.fl_str_mv 2017-03-20
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Article evaluated by pairs
Artículo evaluado por pares
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistadecomunicacion.com/article/view/1002
url https://revistadecomunicacion.com/article/view/1002
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistadecomunicacion.com/article/view/1002/967
dc.rights.none.fl_str_mv Derechos de autor 2017 Revista de Comunicación
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Derechos de autor 2017 Revista de Comunicación
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad de Piura. Facultad de Comunicación
publisher.none.fl_str_mv Universidad de Piura. Facultad de Comunicación
dc.source.none.fl_str_mv Revista de Comunicación; Vol. 16 No. 1 (2017); 9-28
Revista de Comunicación; Vol. 16 Núm. 1 (2017); 9-28
2227-1465
1684-0933
reponame:Revista de Comunicación
instname:Universidad de Piura
instacron:UDEP
instname_str Universidad de Piura
instacron_str UDEP
institution UDEP
reponame_str Revista de Comunicación
collection Revista de Comunicación
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.888049
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