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Metaphor and its contribution to the study of melancholy as a confrontation of political culture in Ni pan ni circo (2005)

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This paper begins by reflecting, from the perspective of Culture, upon the concept of melancholy, as a consequence of the failure of the left-wing utopia born of the ethics of subaltern sectors. It then goes on to analyze the possibility of examining non-hegemonic literary discourses in order to obt...

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Detalles Bibliográficos
Autor: Pequeño Saco, Tamara Paloma
Formato: artículo
Fecha de Publicación:2020
Institución:Universidad Científica del Sur
Repositorio:Revistas - Universidad Científica del Sur
Lenguaje:español
OAI Identifier:oai:revistas.cientifica.edu.pe:article/670
Enlace del recurso:https://revistas.cientifica.edu.pe/index.php/desdeelsur/article/view/670
Nivel de acceso:acceso abierto
Materia:Melancolía
metáfora
memoria
ética
utopía
melancholy
metaphor
memory
ethics
utopia
Descripción
Sumario:This paper begins by reflecting, from the perspective of Culture, upon the concept of melancholy, as a consequence of the failure of the left-wing utopia born of the ethics of subaltern sectors. It then goes on to analyze the possibility of examining non-hegemonic literary discourses in order to obtain information about the subjectivity with which their creators perceive context from a memory affected by political defeat. To this end, we analyze the role that metaphor plays in the poems contained in Alejandro Romualdo's book Ni pan ni circo (2005). As a theoretical framework, we employ the proposals contained in Roger Bartra’s Culture and Melancholy (2001), as well as the contributions of Raymond Williams (2000), Robert Burton (2015), Enzo Traverso (2019), and Walter Benjamin (2008).
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