The artistic complement to the masses for the dead in colonial Peru
Descripción del Articulo
This article deals with works of art that were used in Andean churches to encourage the Christian cult of the dead during the colonial period. We argue that these works played an important role in the establishment of the cult as a replacement for the Andean cult of the de...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2011 |
| Institución: | Universidad Católica San Pablo |
| Repositorio: | Revistas - Universidad Católica San Pablo |
| Lenguaje: | español |
| OAI Identifier: | oai:revistas.ucsp.edu.pe:article/402 |
| Enlace del recurso: | https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/402 |
| Nivel de acceso: | acceso abierto |
| Materia: | arte arte textil pintura purgatorio doctrina cristiana muerte |
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The artistic complement to the masses for the dead in colonial PeruEl complemento artístico a las misas de difuntos en el Perú colonialStanfield-Mazzi, Mayaartearte textilpinturapurgatoriodoctrina cristianamuerteThis article deals with works of art that were used in Andean churches to encourage the Christian cult of the dead during the colonial period. We argue that these works played an important role in the establishment of the cult as a replacement for the Andean cult of the dead. We also show how these works changed over the course of the colonial period, from presenting symbolic images to representing narrative scenes. One important type of work was the altar frontal, which served as a backdrop to the mass and therefore was an appropriate place for expressing concepts of Christian doctrine regarding the dead, such as the idea of purgatory and the dogma of salvation. Este artículo trata de las obras de arte que se usaban en los templos andinos para fomentar el culto cristiano a los muertos durante la época colonial. Sostenemos que estas obras jugaron un papel importante en establecer el culto como reemplazo al culto andino a los muertos. También vemos cómo estas obras cambiaron en el transcurso de la época colonial de presentar imágenes simbólicas a representar escenas narrativas. Un tipo de obra importante fue el frontal de altar, que servía como trasfondo a la misa y que por lo tanto era un lugar apropiado para expresar conceptos doctrinales que tenían que ver con la muerte, la idea del purgatorio y el dogma de la salvación. Universidad Católica San Pablo2011-01-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiondossierapplication/pdfhttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/40210.36901/allpanchis.v43i77/78.402Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 49-81Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 49-812708-89600252-883510.36901/allpanchis.v43i77/78reponame:Revistas - Universidad Católica San Pabloinstname:Universidad Católica San Pabloinstacron:UCSPspahttps://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/402/366Derechos de autor 2011 Maya Stanfield-Mazzi https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistas.ucsp.edu.pe:article/4022022-05-25T13:04:07Z |
| dc.title.none.fl_str_mv |
The artistic complement to the masses for the dead in colonial Peru El complemento artístico a las misas de difuntos en el Perú colonial |
| title |
The artistic complement to the masses for the dead in colonial Peru |
| spellingShingle |
The artistic complement to the masses for the dead in colonial Peru Stanfield-Mazzi, Maya arte arte textil pintura purgatorio doctrina cristiana muerte |
| title_short |
The artistic complement to the masses for the dead in colonial Peru |
| title_full |
The artistic complement to the masses for the dead in colonial Peru |
| title_fullStr |
The artistic complement to the masses for the dead in colonial Peru |
| title_full_unstemmed |
The artistic complement to the masses for the dead in colonial Peru |
| title_sort |
The artistic complement to the masses for the dead in colonial Peru |
| dc.creator.none.fl_str_mv |
Stanfield-Mazzi, Maya |
| author |
Stanfield-Mazzi, Maya |
| author_facet |
Stanfield-Mazzi, Maya |
| author_role |
author |
| dc.subject.none.fl_str_mv |
arte arte textil pintura purgatorio doctrina cristiana muerte |
| topic |
arte arte textil pintura purgatorio doctrina cristiana muerte |
| description |
This article deals with works of art that were used in Andean churches to encourage the Christian cult of the dead during the colonial period. We argue that these works played an important role in the establishment of the cult as a replacement for the Andean cult of the dead. We also show how these works changed over the course of the colonial period, from presenting symbolic images to representing narrative scenes. One important type of work was the altar frontal, which served as a backdrop to the mass and therefore was an appropriate place for expressing concepts of Christian doctrine regarding the dead, such as the idea of purgatory and the dogma of salvation. |
| publishDate |
2011 |
| dc.date.none.fl_str_mv |
2011-01-19 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion dossier |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/402 10.36901/allpanchis.v43i77/78.402 |
| url |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/402 |
| identifier_str_mv |
10.36901/allpanchis.v43i77/78.402 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.ucsp.edu.pe/index.php/Allpanchis/article/view/402/366 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2011 Maya Stanfield-Mazzi https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2011 Maya Stanfield-Mazzi https://creativecommons.org/licenses/by/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidad Católica San Pablo |
| publisher.none.fl_str_mv |
Universidad Católica San Pablo |
| dc.source.none.fl_str_mv |
Allpanchis; Vol. 43 Núm. 77/78 (2011): Una Mirada al Arte Surandino; 49-81 Allpanchis; Vol. 43 No. 77/78 (2011): A Look at South American Art; 49-81 2708-8960 0252-8835 10.36901/allpanchis.v43i77/78 reponame:Revistas - Universidad Católica San Pablo instname:Universidad Católica San Pablo instacron:UCSP |
| instname_str |
Universidad Católica San Pablo |
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UCSP |
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UCSP |
| reponame_str |
Revistas - Universidad Católica San Pablo |
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Revistas - Universidad Católica San Pablo |
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1852948727587667968 |
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13.110079 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
