What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
Descripción del Articulo
This article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible c...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2024 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/31097 |
| Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/historica/article/view/31097 |
| Nivel de acceso: | acceso abierto |
| Materia: | Beatriz Ñusta Marriage Imposition Agency Matrimonio Imposición Agencia |
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What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings¿Qué esconde la imagen de una unión idealizada? Beatriz Ñusta y la caída del Imperio inca en cuatro cuadros colonialesArtzi, Bat-amiBeatriz ÑustaMarriageImpositionAgencyBeatriz ÑustaMatrimonioImposiciónAgenciaThis article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible connections between them. The iconographic analysis presented in this article highlights the agency of the Indigenous or mestizo artists who created these paintings. Furthermore, the study of the iconographic differences found in these paintings, as well as a metal plaque that represents part of the scene, reveals variations related to the audiences for which these artworks were intended.Este artículo analiza cuatro cuadros coloniales del Virreinato del Perú que representan la unión de Beatriz Ñusta y Martín de Loyola, así como el matrimonio de su hija. Desde una perspectiva feminista, explora la representación pictórica e histórica de Beatriz Ñusta y la posible conexión entre ambas. El análisis iconográfico presentado aquí evidencia la agencia de los o las artistas de origen indígena o mestizo que crearon estas pinturas. Asimismo, el estudio de las diferencias iconográficas encontradas en estos cuadros y en una placa de metal que representa parte de la escena revela variaciones en torno a los públicos a los que estaban destinadas estas obras.Pontificia Universidad Católica del Perú2024-12-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/historica/article/view/31097Histórica; Vol. 48 Núm. 2 (2024); 131-1782223-375X0252-8894reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/historica/article/view/31097/27476https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.pkp.sfu.ca:article/310972025-09-11T16:43:45Z |
| dc.title.none.fl_str_mv |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings ¿Qué esconde la imagen de una unión idealizada? Beatriz Ñusta y la caída del Imperio inca en cuatro cuadros coloniales |
| title |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| spellingShingle |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings Artzi, Bat-ami Beatriz Ñusta Marriage Imposition Agency Beatriz Ñusta Matrimonio Imposición Agencia |
| title_short |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| title_full |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| title_fullStr |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| title_full_unstemmed |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| title_sort |
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings |
| dc.creator.none.fl_str_mv |
Artzi, Bat-ami |
| author |
Artzi, Bat-ami |
| author_facet |
Artzi, Bat-ami |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Beatriz Ñusta Marriage Imposition Agency Beatriz Ñusta Matrimonio Imposición Agencia |
| topic |
Beatriz Ñusta Marriage Imposition Agency Beatriz Ñusta Matrimonio Imposición Agencia |
| description |
This article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible connections between them. The iconographic analysis presented in this article highlights the agency of the Indigenous or mestizo artists who created these paintings. Furthermore, the study of the iconographic differences found in these paintings, as well as a metal plaque that represents part of the scene, reveals variations related to the audiences for which these artworks were intended. |
| publishDate |
2024 |
| dc.date.none.fl_str_mv |
2024-12-27 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/historica/article/view/31097 |
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http://revistas.pucp.edu.pe/index.php/historica/article/view/31097 |
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spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/historica/article/view/31097/27476 |
| dc.rights.none.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by/4.0 |
| eu_rights_str_mv |
openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
| dc.source.none.fl_str_mv |
Histórica; Vol. 48 Núm. 2 (2024); 131-178 2223-375X 0252-8894 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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13.13613 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
