The alētheia of Cats. Balthus, Rilke and the problem of the “Open”
Descripción del Articulo
Maria Rilke and Balthazar Klossowski –Balthus–, which took the form of a book entitled Mitsou. Story of a Cat, illustrated by the young painter and foreworded by the poet. This case study serves as a guiding thread running through a deep analysis of the problem of the “Open”, a noumenic con...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2022 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Lenguaje: | español |
| OAI Identifier: | oai:revistaspuc:article/26324 |
| Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/arete/article/view/26324 |
| Nivel de acceso: | acceso abierto |
| Materia: | Rilke Balthus Alētheia The Open Animals Alétheia Lo Abierto Animales |
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The alētheia of Cats. Balthus, Rilke and the problem of the “Open”La alétheia de los gatos. Balthus, Rilke y el problema de lo “Abierto”Molina Barea, María del CarmenRilkeBalthusAlētheiaThe OpenAnimalsRilkeBalthusAlétheiaLo AbiertoAnimalesMaria Rilke and Balthazar Klossowski –Balthus–, which took the form of a book entitled Mitsou. Story of a Cat, illustrated by the young painter and foreworded by the poet. This case study serves as a guiding thread running through a deep analysis of the problem of the “Open”, a noumenic concept coined by Rilke in his creative exchange with Balthus. This concept was specifically discussed by Martin Heidegger. Thus, the present paper attempts to address the implications of affinity and confrontation between Rilke and Heidegger and to explore the metaphorical figure of the cat as the expression of certain animality within the unveiling that takes place in the Da-sein. For this purpose, it will also be necessary to explore theoretical key approaches taken from Ortega y Gasset and Schopenhauer, as well as critical positions particularly relevant in this field defended by Giorgio Agamben and Jacques Derrida, which tend towards an animalistic ontology of alētheia.Este artículo toma como punto de partida la colaboración artística entre Rainer Maria Rilke y Balthazar Klossowski –Balthus– que vio la luz en la publicación del libro titulado Mitsou. Historia de un gato, con ilustraciones del joven pintor y prólogo del poeta. Este caso de estudio sirve como hilo conductor de un análisis de mayor calado sobre el problema de lo “Abierto”, concepto de orden nouménico que Rilke acuña en su intercambio creativo con Balthus, y que fue motivo concreto de reflexión por parte de Martin Heidegger. El presente trabajo pretende abordar las implicaciones de afinidad y enfrentamiento entre Rilke y Heidegger, y profundizar en la figura del gato como imagen metafórica de la animalidad presente en el develamiento que acontece en el Da-sein. Para ello será necesario considerar aportaciones teóricas clave de Ortega y Gasset y Schopenhauer, así como posturas críticas de Giorgio Agamben y Jacques Derrida, específicamente relevantes en este debate, que se inclinan hacia una ontología animal de la alétheia.Pontificia Universidad Católica del Perú - Departamento de Humanidades2022-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/arete/article/view/2632410.18800/arete.202202.006Areté; Vol. 34 Núm. 2 (2022); 417-4542223-37411016-913Xreponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/arete/article/view/26324/24815https://creativecommons.rg/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:revistaspuc:article/263242023-07-17T14:42:45Z |
| dc.title.none.fl_str_mv |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” La alétheia de los gatos. Balthus, Rilke y el problema de lo “Abierto” |
| title |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| spellingShingle |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” Molina Barea, María del Carmen Rilke Balthus Alētheia The Open Animals Rilke Balthus Alétheia Lo Abierto Animales |
| title_short |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| title_full |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| title_fullStr |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| title_full_unstemmed |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| title_sort |
The alētheia of Cats. Balthus, Rilke and the problem of the “Open” |
| dc.creator.none.fl_str_mv |
Molina Barea, María del Carmen |
| author |
Molina Barea, María del Carmen |
| author_facet |
Molina Barea, María del Carmen |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Rilke Balthus Alētheia The Open Animals Rilke Balthus Alétheia Lo Abierto Animales |
| topic |
Rilke Balthus Alētheia The Open Animals Rilke Balthus Alétheia Lo Abierto Animales |
| description |
Maria Rilke and Balthazar Klossowski –Balthus–, which took the form of a book entitled Mitsou. Story of a Cat, illustrated by the young painter and foreworded by the poet. This case study serves as a guiding thread running through a deep analysis of the problem of the “Open”, a noumenic concept coined by Rilke in his creative exchange with Balthus. This concept was specifically discussed by Martin Heidegger. Thus, the present paper attempts to address the implications of affinity and confrontation between Rilke and Heidegger and to explore the metaphorical figure of the cat as the expression of certain animality within the unveiling that takes place in the Da-sein. For this purpose, it will also be necessary to explore theoretical key approaches taken from Ortega y Gasset and Schopenhauer, as well as critical positions particularly relevant in this field defended by Giorgio Agamben and Jacques Derrida, which tend towards an animalistic ontology of alētheia. |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-12-21 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
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http://revistas.pucp.edu.pe/index.php/arete/article/view/26324 10.18800/arete.202202.006 |
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http://revistas.pucp.edu.pe/index.php/arete/article/view/26324 |
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10.18800/arete.202202.006 |
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spa |
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spa |
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http://revistas.pucp.edu.pe/index.php/arete/article/view/26324/24815 |
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https://creativecommons.rg/licenses/by/4.0/ info:eu-repo/semantics/openAccess |
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https://creativecommons.rg/licenses/by/4.0/ |
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openAccess |
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application/pdf |
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Pontificia Universidad Católica del Perú - Departamento de Humanidades |
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Pontificia Universidad Católica del Perú - Departamento de Humanidades |
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Areté; Vol. 34 Núm. 2 (2022); 417-454 2223-3741 1016-913X reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).