Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil
Descripción del Articulo
Music is an important artefact that helps people to construct identities and territorial links, establishing shared imaginaries and symbols that, on their turn, structure ideas about places such as neighbourhoods, cities, and nations. At the same time, music marks distinct...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2018 |
| Institución: | Pontificia Universidad Católica del Perú |
| Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
| Lenguaje: | español |
| OAI Identifier: | oai:revistaspuc:article/18779 |
| Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/18779 |
| Nivel de acceso: | acceso abierto |
| Materia: | popular music identity territories prejudice música popular identidad territorios prejuicios identidade territórios preconceito |
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Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary BrazilPrejuicios, incomodidades y rechazos: música, territorialidades y conflictos en el Brasil contemporáneoPreconceitos, incômodos e rechaços: música, territorialidades e conflitos no Brasil contemporâneoTrotta, Felipepopular musicidentityterritoriesprejudicemúsica popularidentidadterritoriosprejuiciosmúsica popularidentidadeterritóriospreconceitoMusic is an important artefact that helps people to construct identities and territorial links, establishing shared imaginaries and symbols that, on their turn, structure ideas about places such as neighbourhoods, cities, and nations. At the same time, music marks distinctions between them, mostly through negative feelings; rejections and prejudices against genres and territories. In this article, the cases of Brazilian genres samba, forró and sertanejo are analysed, taking them as markers of specific territories and spaces in the nation’s hierarchies. Therefore, they can be thought as agents of music conflicts which are intermingled with symbolic and geographic struggles.La música es un importante instrumento para la construcción de identidades y vínculos territoriales y establece simbologías e imaginarios compartidos que estructuran barrios, ciudades y naciones. Simultáneamente, articula segregaciones sobre la base de actitudes y sentimientos de negación, rechazo, impertinencias y prejuicios con relación a cuestiones territoriales o de género. En este artículo se analizan casos de los géneros musicales brasileños samba, forró y la música sertaneja, todos ellos marcadores de espacios específicos en las jerarquías simbólicas de la nación y, por eso mismo, agentes de conflictos musicales, simbólicos y geográficos.A música é um artefato importante na construção de identidades e vínculos territoriais, estabelecendo simbologias e imaginários compartilhados que estruturam bairros, cidades, nações. Simultaneamente, articula segregações baseadas em atitudes e sentimentos de negação; rechaços, incômodos e preconceitos contra gêneros e territórios. Neste artigo são analisados os casos dos gêneros musicais brasileiros samba, forró e sertanejo, marcadores de espaços específicos nas hierarquias simbólicas da nação e, por isso mesmo, agentes de conflitos musicais, simbólicos e geográficos.Pontificia Universidad Católica del Perú2018-07-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/1877910.18800/anthropologica.201801.008Anthropologica; Vol. 36 Núm. 40 (2018): Prácticas musicales andinas a comienzos del siglo XXI; 165-1912224-64280254-9212reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/anthropologica/article/view/18779/20105http://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/187792020-08-01T01:38:29Z |
| dc.title.none.fl_str_mv |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil Prejuicios, incomodidades y rechazos: música, territorialidades y conflictos en el Brasil contemporáneo Preconceitos, incômodos e rechaços: música, territorialidades e conflitos no Brasil contemporâneo |
| title |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| spellingShingle |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil Trotta, Felipe popular music identity territories prejudice música popular identidad territorios prejuicios música popular identidade territórios preconceito |
| title_short |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| title_full |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| title_fullStr |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| title_full_unstemmed |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| title_sort |
Prejudices, annoyances and rejections: music territorialities and conflicts in contemporary Brazil |
| dc.creator.none.fl_str_mv |
Trotta, Felipe |
| author |
Trotta, Felipe |
| author_facet |
Trotta, Felipe |
| author_role |
author |
| dc.subject.none.fl_str_mv |
popular music identity territories prejudice música popular identidad territorios prejuicios música popular identidade territórios preconceito |
| topic |
popular music identity territories prejudice música popular identidad territorios prejuicios música popular identidade territórios preconceito |
| description |
Music is an important artefact that helps people to construct identities and territorial links, establishing shared imaginaries and symbols that, on their turn, structure ideas about places such as neighbourhoods, cities, and nations. At the same time, music marks distinctions between them, mostly through negative feelings; rejections and prejudices against genres and territories. In this article, the cases of Brazilian genres samba, forró and sertanejo are analysed, taking them as markers of specific territories and spaces in the nation’s hierarchies. Therefore, they can be thought as agents of music conflicts which are intermingled with symbolic and geographic struggles. |
| publishDate |
2018 |
| dc.date.none.fl_str_mv |
2018-07-17 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/18779 10.18800/anthropologica.201801.008 |
| url |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/18779 |
| identifier_str_mv |
10.18800/anthropologica.201801.008 |
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spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/anthropologica/article/view/18779/20105 |
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http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc/4.0 |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
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Pontificia Universidad Católica del Perú |
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Anthropologica; Vol. 36 Núm. 40 (2018): Prácticas musicales andinas a comienzos del siglo XXI; 165-191 2224-6428 0254-9212 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
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Pontificia Universidad Católica del Perú |
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PUCP |
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PUCP |
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Revistas - Pontificia Universidad Católica del Perú |
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Revistas - Pontificia Universidad Católica del Perú |
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1840900200452849664 |
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13.059308 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
