Cultural appropriation in the audiovisual industry. A socio-legal analysis of an international problem of the last twenty years

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The aim of this paper is to analyze the international problem of cultural appropriation in the audiovisual industry during the last twenty years, from a sociological and legal perspective, and its linkage with intellectual property rights. It will start from a conceptualization of the term and then...

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Detalles Bibliográficos
Autor: Modica Bareiro, Aldo Fabrizio
Formato: artículo
Fecha de Publicación:2023
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/27435
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/derechoysociedad/article/view/27435
Nivel de acceso:acceso abierto
Materia:Apropiación cultural
Industria audiovisual
Propiedad intelectual
Derecho de autor
Expresiones culturales tradicionales
Diversidad cultural
Representaciones negativas
Aprovechamiento indebido
Disney
El Rey León
Frozen
Cultural appropriation
Audiovisual industry
Intellectual property
Copyright
Traditional cultural expressions
Cultural diversity
Negative representations
Undue advantage
The Lion King
Descripción
Sumario:The aim of this paper is to analyze the international problem of cultural appropriation in the audiovisual industry during the last twenty years, from a sociological and legal perspective, and its linkage with intellectual property rights. It will start from a conceptualization of the term and then delimit its analysis towards traditional cultural expressions and their various forms of protection in the international arena. The economic numbers of the film industry will be known and then the study will focus on the various components of cultural appropriation in films, both in the extrapatrimonial aspects (negative representations, stereotypes, and discriminatory behaviors) and in the patrimonial aspects (unauthorized exploitation and undue economic exploitation of collective rights). Finally, a detailed study of two audio-visual works by Disney (The Lion King and Frozen), will be carried out.
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