We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina
Descripción del Articulo
The events in Argentina during the winter of 2018 (massive feminist groups marched to demand the approval of the Voluntary Termination of Pregnancy bill) invited us, from our places as artists, to emerge from our workspaces. The stage was set in the streets and the concept of art-life was about to m...
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Formato: | artículo |
Fecha de Publicación: | 2020 |
Institución: | Pontificia Universidad Católica del Perú |
Repositorio: | Revistas - Pontificia Universidad Católica del Perú |
Lenguaje: | español |
OAI Identifier: | oai:revistaspuc:article/22552 |
Enlace del recurso: | http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552 |
Nivel de acceso: | acceso abierto |
Materia: | Feminism performance reenactment empowerment green handkerchief collective Feminismo empoderamiento pañuelo verde colectivo |
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Revistas - Pontificia Universidad Católica del Perú |
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We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina¡Nosotras podemos!: performance, cuerpo y espacio público en el marco de las movilizaciones feministas en ArgentinaNós, mulheres, podemos!: performance, corpo e espaço público no contexto das mobilizações feministas na ArgentinaParrilla, BelénFeminismperformancereenactmentempowermentgreen handkerchiefcollectiveFeminismoperformancereenactmentempoderamientopañuelo verdecolectivoThe events in Argentina during the winter of 2018 (massive feminist groups marched to demand the approval of the Voluntary Termination of Pregnancy bill) invited us, from our places as artists, to emerge from our workspaces. The stage was set in the streets and the concept of art-life was about to manifest itself. Motivated to generate a device that expresses the politics of those who had abandoned their place of contemplation, questioned as individuals and mobilized as a collective, we decided to do an intervention with a performative aesthetic. This essay presents that feedback process between social and artistic performance, a reflection of the expressive and ungovernable limits of the green wave, and answers the call for a deep need to meet each other, taking over the public space, in a symbolic ex-pression of those of us who became protagonists in the construction of our rights. Every woman, all of us.Los sucesos del invierno de 2018 en Argentina —multitudinarias movilizaciones feministas para exigir la sanción de la Ley de Interrupción Voluntaria del Embarazo— nos invitaban, desde nuestro lugar de artistas, a salir de los espacios habituales de trabajo. La obra estaba en la calle y el concepto arte-vida alcanzaba el punto de acontecimiento. Motivadas a generar un dispositivo que exprese la política de los cuerpos de las mujeres que habían abandonado el lugar de contemplación, interpeladas desde lo personal y movilizadas desde lo colectivo, decidimos realizar una intervención con estética performativa. Este ensayo toma ese proceso de retro-alimentación entre performance social y artística, reflejo de los límites ingobernables y expresivos de la marea verde, y atiende a una profunda necesidad de encontrarnos, apropiándonos del espacio público, en una expresión simbólica de quienes pasamos a ser protagonistas en la construcción de la historia de nuestros derechos. Todas, cada una.Pontificia Universidad Católica del Perú2020-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/epub+zipapplication/xmlhttp://revistas.pucp.edu.pe/index.php/conexion/article/view/2255210.18800/conexion.202001.004Conexión; Núm. 13 (2020): Mujeres en las artes escénicas en el Perú y América Latina; 83-1022413-54372305-7467reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/21732http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/21740http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/25269http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/225522021-11-04T23:31:25Z |
dc.title.none.fl_str_mv |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina ¡Nosotras podemos!: performance, cuerpo y espacio público en el marco de las movilizaciones feministas en Argentina Nós, mulheres, podemos!: performance, corpo e espaço público no contexto das mobilizações feministas na Argentina |
title |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
spellingShingle |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina Parrilla, Belén Feminism performance reenactment empowerment green handkerchief collective Feminismo performance reenactment empoderamiento pañuelo verde colectivo |
title_short |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
title_full |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
title_fullStr |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
title_full_unstemmed |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
title_sort |
We Can Do It!: Performance, Body and Public Space in the Context of the Feminist Demonstrations in Argentina |
dc.creator.none.fl_str_mv |
Parrilla, Belén |
author |
Parrilla, Belén |
author_facet |
Parrilla, Belén |
author_role |
author |
dc.subject.none.fl_str_mv |
Feminism performance reenactment empowerment green handkerchief collective Feminismo performance reenactment empoderamiento pañuelo verde colectivo |
topic |
Feminism performance reenactment empowerment green handkerchief collective Feminismo performance reenactment empoderamiento pañuelo verde colectivo |
description |
The events in Argentina during the winter of 2018 (massive feminist groups marched to demand the approval of the Voluntary Termination of Pregnancy bill) invited us, from our places as artists, to emerge from our workspaces. The stage was set in the streets and the concept of art-life was about to manifest itself. Motivated to generate a device that expresses the politics of those who had abandoned their place of contemplation, questioned as individuals and mobilized as a collective, we decided to do an intervention with a performative aesthetic. This essay presents that feedback process between social and artistic performance, a reflection of the expressive and ungovernable limits of the green wave, and answers the call for a deep need to meet each other, taking over the public space, in a symbolic ex-pression of those of us who became protagonists in the construction of our rights. Every woman, all of us. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-13 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552 10.18800/conexion.202001.004 |
url |
http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552 |
identifier_str_mv |
10.18800/conexion.202001.004 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/21732 http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/21740 http://revistas.pucp.edu.pe/index.php/conexion/article/view/22552/25269 |
dc.rights.none.fl_str_mv |
http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/epub+zip application/xml |
dc.publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
publisher.none.fl_str_mv |
Pontificia Universidad Católica del Perú |
dc.source.none.fl_str_mv |
Conexión; Núm. 13 (2020): Mujeres en las artes escénicas en el Perú y América Latina; 83-102 2413-5437 2305-7467 reponame:Revistas - Pontificia Universidad Católica del Perú instname:Pontificia Universidad Católica del Perú instacron:PUCP |
instname_str |
Pontificia Universidad Católica del Perú |
instacron_str |
PUCP |
institution |
PUCP |
reponame_str |
Revistas - Pontificia Universidad Católica del Perú |
collection |
Revistas - Pontificia Universidad Católica del Perú |
repository.name.fl_str_mv |
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repository.mail.fl_str_mv |
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1840900572387999744 |
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12.87381 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).