What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings

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This article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible c...

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Detalles Bibliográficos
Autor: Artzi, Bat-ami
Formato: artículo
Fecha de Publicación:2024
Institución:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Lenguaje:español
OAI Identifier:oai:revistaspuc:article/31097
Enlace del recurso:http://revistas.pucp.edu.pe/index.php/historica/article/view/31097
Nivel de acceso:acceso abierto
Materia:Beatriz Ñusta
Marriage
Imposition
Agency
Matrimonio
Imposición
Agencia
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network_name_str Revistas - Pontificia Universidad Católica del Perú
repository_id_str
spelling What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings¿Qué esconde la imagen de una unión idealizada? Beatriz Ñusta y la caída del Imperio inca en cuatro cuadros colonialesArtzi, Bat-amiBeatriz ÑustaMarriageImpositionAgencyBeatriz ÑustaMatrimonioImposiciónAgenciaThis article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible connections between them. The iconographic analysis presented in this article highlights the agency of the Indigenous or mestizo artists who created these paintings. Furthermore, the study of the iconographic differences found in these paintings, as well as a metal plaque that represents part of the scene, reveals variations related to the audiences for which these artworks were intended.Este artículo analiza cuatro cuadros coloniales del Virreinato del Perú que representan la unión de Beatriz Ñusta y Martín de Loyola, así como el matrimonio de su hija. Desde una perspectiva feminista, explora la representación pictórica e histórica de Beatriz Ñusta y la posible conexión entre ambas. El análisis iconográfico presentado aquí evidencia la agencia de los o las artistas de origen indígena o mestizo que crearon estas pinturas. Asimismo, el estudio de las diferencias iconográficas encontradas en estos cuadros y en una placa de metal que representa parte de la escena revela variaciones en torno a los públicos a los que estaban destinadas estas obras.Pontificia Universidad Católica del Perú2024-12-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.pucp.edu.pe/index.php/historica/article/view/3109710.18800/historica.202402.003Histórica; Vol. 48 Núm. 2 (2024); 131-1782223-375X0252-8894reponame:Revistas - Pontificia Universidad Católica del Perúinstname:Pontificia Universidad Católica del Perúinstacron:PUCPspahttp://revistas.pucp.edu.pe/index.php/historica/article/view/31097/27476http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:revistaspuc:article/310972025-05-20T21:20:50Z
dc.title.none.fl_str_mv What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
¿Qué esconde la imagen de una unión idealizada? Beatriz Ñusta y la caída del Imperio inca en cuatro cuadros coloniales
title What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
spellingShingle What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
Artzi, Bat-ami
Beatriz Ñusta
Marriage
Imposition
Agency
Beatriz Ñusta
Matrimonio
Imposición
Agencia
title_short What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
title_full What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
title_fullStr What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
title_full_unstemmed What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
title_sort What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
dc.creator.none.fl_str_mv Artzi, Bat-ami
author Artzi, Bat-ami
author_facet Artzi, Bat-ami
author_role author
dc.subject.none.fl_str_mv Beatriz Ñusta
Marriage
Imposition
Agency
Beatriz Ñusta
Matrimonio
Imposición
Agencia
topic Beatriz Ñusta
Marriage
Imposition
Agency
Beatriz Ñusta
Matrimonio
Imposición
Agencia
description This article analyzes four colonial paintings from the Viceroyalty of Peru that depict the union of Beatriz Ñusta and Martín de Loyola, as well as the marriage of their daughter. From a feminist perspective, it explores the pictorial and historical representations of Beatriz Ñusta and the possible connections between them. The iconographic analysis presented in this article highlights the agency of the Indigenous or mestizo artists who created these paintings. Furthermore, the study of the iconographic differences found in these paintings, as well as a metal plaque that represents part of the scene, reveals variations related to the audiences for which these artworks were intended.
publishDate 2024
dc.date.none.fl_str_mv 2024-12-27
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/historica/article/view/31097
10.18800/historica.202402.003
url http://revistas.pucp.edu.pe/index.php/historica/article/view/31097
identifier_str_mv 10.18800/historica.202402.003
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.pucp.edu.pe/index.php/historica/article/view/31097/27476
dc.rights.none.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
publisher.none.fl_str_mv Pontificia Universidad Católica del Perú
dc.source.none.fl_str_mv Histórica; Vol. 48 Núm. 2 (2024); 131-178
2223-375X
0252-8894
reponame:Revistas - Pontificia Universidad Católica del Perú
instname:Pontificia Universidad Católica del Perú
instacron:PUCP
instname_str Pontificia Universidad Católica del Perú
instacron_str PUCP
institution PUCP
reponame_str Revistas - Pontificia Universidad Católica del Perú
collection Revistas - Pontificia Universidad Católica del Perú
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.472451
What does the image of an idealized union conceal? Beatriz Ñusta and the fall of the Inca Empire in four colonial paintings
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