THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO
Descripción del Articulo
A significant part of the studies focused on the novel by Roberto Bolaño (1953-2003), Los detectives salvajes, focuses its attention above all on the main characters of the novel: Arturo Belano and Ulises Lima, literary transfiguration of the author himself and of the Mexican poet Mario Santiago Pap...
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| Formato: | artículo |
| Fecha de Publicación: | 2022 |
| Institución: | Asociación Peruana de Retórica |
| Repositorio: | Metáfora |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs2.www.metaforarevista.com:article/235 |
| Enlace del recurso: | https://www.metaforarevista.com/index.php/meta/article/view/235 |
| Nivel de acceso: | acceso abierto |
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THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑOLA ELECCIÓN DEL DIARIO PERSONAL COMO FORMA DE ESCRITURA LITERARIA EN LOS DETECTIVES SALVAJES DE ROBERTO BOLAÑOAcevedo Zapata, Luis AlejandroA significant part of the studies focused on the novel by Roberto Bolaño (1953-2003), Los detectives salvajes, focuses its attention above all on the main characters of the novel: Arturo Belano and Ulises Lima, literary transfiguration of the author himself and of the Mexican poet Mario Santiago Papasquiaro, according to the criticism on the matter. However, the narrator of two thirds of the novel is Juan García Madero, a young 17-year-old poet who is the one who narrates in his personal diary the adventures lived alongside those who he considers his life teachers and who initiate him on the path of poetry by making him part of a group of poets with similar sensibilities. This article intends to review the importance of this character for the articulation of the plot and the novelistic fiction that autobiography and autofiction entails.Una parte significativa de los estudios centrados en la novela de Roberto Bolaño (1953-2003), Los detectives salvajes, enfoca su atención sobre todo en los personajes principales de la novela: Arturo Belano y Ulises Lima, transfiguración literaria del propio autor y del poeta mexicano Mario Santiago Papasquiaro, según la crítica al respecto. Sin embargo, el narrador de dos terceras partes de la novela es Juan García Madero, un joven poeta de 17 años que es quien narra en su diario personal las aventuras vividas al lado de quienes considera sus maestros de vida y que lo inician en el camino de la poesía al hacerlo formar parte de un grupo de poetas con sensibilidades afines. Este artículo se propone revisar la importancia que tiene este personaje para la articulación de la trama y de la ficción novelesca que entraña autobiografía y autoficción.Asociación Peruana de Retórica2022-08-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.metaforarevista.com/index.php/meta/article/view/23510.36286/mrlad.v3i6.124METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 5 Núm. 9 (2022)2617-4839reponame:Metáforainstname:Asociación Peruana de Retóricainstacron:APRspahttps://www.metaforarevista.com/index.php/meta/article/view/235/183Derechos de autor 2022 Luis Alejandro Acevedo Zapatahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs2.www.metaforarevista.com:article/2352023-09-30T14:54:28Z |
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THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO LA ELECCIÓN DEL DIARIO PERSONAL COMO FORMA DE ESCRITURA LITERARIA EN LOS DETECTIVES SALVAJES DE ROBERTO BOLAÑO |
| title |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| spellingShingle |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO Acevedo Zapata, Luis Alejandro |
| title_short |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| title_full |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| title_fullStr |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| title_full_unstemmed |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| title_sort |
THE CHOICE OF THE PERSONAL DIARY AS A FORM OF LITERARY WRITING IN LOS DETECTIVES SALVAJES BY ROBERTO BOLAÑO |
| dc.creator.none.fl_str_mv |
Acevedo Zapata, Luis Alejandro |
| author |
Acevedo Zapata, Luis Alejandro |
| author_facet |
Acevedo Zapata, Luis Alejandro |
| author_role |
author |
| description |
A significant part of the studies focused on the novel by Roberto Bolaño (1953-2003), Los detectives salvajes, focuses its attention above all on the main characters of the novel: Arturo Belano and Ulises Lima, literary transfiguration of the author himself and of the Mexican poet Mario Santiago Papasquiaro, according to the criticism on the matter. However, the narrator of two thirds of the novel is Juan García Madero, a young 17-year-old poet who is the one who narrates in his personal diary the adventures lived alongside those who he considers his life teachers and who initiate him on the path of poetry by making him part of a group of poets with similar sensibilities. This article intends to review the importance of this character for the articulation of the plot and the novelistic fiction that autobiography and autofiction entails. |
| publishDate |
2022 |
| dc.date.none.fl_str_mv |
2022-08-15 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://www.metaforarevista.com/index.php/meta/article/view/235 10.36286/mrlad.v3i6.124 |
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https://www.metaforarevista.com/index.php/meta/article/view/235 |
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10.36286/mrlad.v3i6.124 |
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spa |
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spa |
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https://www.metaforarevista.com/index.php/meta/article/view/235/183 |
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Derechos de autor 2022 Luis Alejandro Acevedo Zapata http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
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Derechos de autor 2022 Luis Alejandro Acevedo Zapata http://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
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Asociación Peruana de Retórica |
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Asociación Peruana de Retórica |
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METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 5 Núm. 9 (2022) 2617-4839 reponame:Metáfora instname:Asociación Peruana de Retórica instacron:APR |
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Asociación Peruana de Retórica |
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APR |
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Metáfora |
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Metáfora |
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Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).