THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT

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The Peruvian vanguard was a period characterized by linguistic experimentation and the development of visual poetry that invites the reader to actively participate in the interpretation of the poem. Carlos Oquendo de Amat (1905-1936) is one of the greatest representatives of the new sensibility that...

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Autor: Durand Luna, Sandra Melina
Formato: artículo
Fecha de Publicación:2022
Lenguaje:español
OAI Identifier:oai:ojs2.www.metaforarevista.com:article/217
Enlace del recurso:https://www.metaforarevista.com/index.php/meta/article/view/217
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spelling THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMATLA YUXTAPOSICIÓN DE IMÁGENES Y LA PERSPECTIVA DEL SUJETO MIGRANTE EN 5 METROS DE POEMAS (1927) DE CARLOS OQUENDO DE AMATDurand Luna, Sandra MelinaThe Peruvian vanguard was a period characterized by linguistic experimentation and the development of visual poetry that invites the reader to actively participate in the interpretation of the poem. Carlos Oquendo de Amat (1905-1936) is one of the greatest representatives of the new sensibility that is expressed through language and sets a trend in twentieth-century Peruvian poetry. For this reason, this article proposes to examine, based on the theory of modern versology by Isabel Paraíso and Francisco López Estrada, the juxtaposition of images in the collection of poems 5 meters of poems (1927) to explore the relationship between the visual aspect and semantic from the perspective of the migrant subject to the modernization of the city, technological advances and the media.La vanguardia peruana fue un periodo que se caracterizó por la experimentación lingüística y el desarrollo de una poesía visual que invita al lector a participar de manera activa en la interpretación del poema. Carlos Oquendo de Amat (1905-1936) es uno de los mayores representantes de la nueva sensibilidad que se expresa a través del lenguaje y marca una tendencia en la poesía peruana del siglo xx. Por ello, el presente artículo propone examinar, a partir de la teoría de la versología moderna de Isabel Paraíso y Francisco López Estrada, la yuxtaposición de imágenes en el poemario 5 metros de poemas (1927) con la finalidad de explorar la relación entre el aspecto visual y semántico desde la perspectiva del sujeto migrante ante la modernización de la ciudad, los avances tecnológicos y los medios de comunicación.Asociación Peruana de Retórica2022-02-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.metaforarevista.com/index.php/meta/article/view/21710.36286/mrlad.v3i6.116METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 4 Núm. 8 (2022)2617-4839spahttps://www.metaforarevista.com/index.php/meta/article/view/217/175Derechos de autor 2022 Sandra Melina Durand Lunahttp://creativecommons.org/licenses/by-nc/4.0oai:ojs2.www.metaforarevista.com:article/2172022-03-25T00:30:35Z
dc.title.none.fl_str_mv THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
LA YUXTAPOSICIÓN DE IMÁGENES Y LA PERSPECTIVA DEL SUJETO MIGRANTE EN 5 METROS DE POEMAS (1927) DE CARLOS OQUENDO DE AMAT
title THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
spellingShingle THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
Durand Luna, Sandra Melina
title_short THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
title_full THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
title_fullStr THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
title_full_unstemmed THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
title_sort THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
dc.creator.none.fl_str_mv Durand Luna, Sandra Melina
author Durand Luna, Sandra Melina
author_facet Durand Luna, Sandra Melina
author_role author
description The Peruvian vanguard was a period characterized by linguistic experimentation and the development of visual poetry that invites the reader to actively participate in the interpretation of the poem. Carlos Oquendo de Amat (1905-1936) is one of the greatest representatives of the new sensibility that is expressed through language and sets a trend in twentieth-century Peruvian poetry. For this reason, this article proposes to examine, based on the theory of modern versology by Isabel Paraíso and Francisco López Estrada, the juxtaposition of images in the collection of poems 5 meters of poems (1927) to explore the relationship between the visual aspect and semantic from the perspective of the migrant subject to the modernization of the city, technological advances and the media.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-15
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/217
10.36286/mrlad.v3i6.116
url https://www.metaforarevista.com/index.php/meta/article/view/217
identifier_str_mv 10.36286/mrlad.v3i6.116
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.metaforarevista.com/index.php/meta/article/view/217/175
dc.rights.none.fl_str_mv Derechos de autor 2022 Sandra Melina Durand Luna
http://creativecommons.org/licenses/by-nc/4.0
rights_invalid_str_mv Derechos de autor 2022 Sandra Melina Durand Luna
http://creativecommons.org/licenses/by-nc/4.0
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Asociación Peruana de Retórica
publisher.none.fl_str_mv Asociación Peruana de Retórica
dc.source.none.fl_str_mv METÁFORA REVISTA DE LITERATURA Y ANÁLISIS DEL DISCURSO; Vol. 4 Núm. 8 (2022)
2617-4839
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 13.83948
THE JUXTAPOSITION OF IMAGES AND THE PERSPECTIVE OF THE MIGRANT SUBJECT IN 5 METROS DE POEMAS (1927) BY CARLOS OQUENDO DE AMAT
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