The to-and-for of words. Poetry and myth in Vargas Vicuña's work
Descripción del Articulo
Many critics have acknowledged the stylistic and technical skills in Eleodoro Vargas Vicuña’s narrative, such as the orality of his characters, narrative fragmentation and polyphonic voices that describes his plot. There have been suggestions that the Indigenism of Vargas Vicuña renewed the pro-Indi...
| Autores: | , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2014 |
| Institución: | Academia Peruana de la Lengua |
| Repositorio: | Boletín de la Academia Peruana de la Lengua |
| Lenguaje: | español |
| OAI Identifier: | oai:ojs.revistas.apl.org.pe:article/131 |
| Enlace del recurso: | https://revistas.apl.org.pe/index.php/boletinapl/article/view/131 |
| Nivel de acceso: | acceso abierto |
| Materia: | Vargas Vicuña orality Andean animism mixed-raced vision oralidad animismo andino visión mestiza |
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The to-and-for of words. Poetry and myth in Vargas Vicuña's workEl andar de las palabras. Poesía y mito en la obra de Vargas VicuñaLarrú Salazar, ManuelViera Mendoza, SaraVargas VicuñaoralityAndean animismmixed-raced visionVargas Vicuñaoralidadanimismo andinovisión mestizaMany critics have acknowledged the stylistic and technical skills in Eleodoro Vargas Vicuña’s narrative, such as the orality of his characters, narrative fragmentation and polyphonic voices that describes his plot. There have been suggestions that the Indigenism of Vargas Vicuña renewed the pro-Indian narrative universe, but there are few concerns about the links of his story with his poetic production. Our research aims to establish which type of narrator rules his work. We will also show how his characters start showing through a particular language in order to reveal a vision of reality strongly linked to that of his poetic work, a transculturalized and mixed-raced discursive formation, but whose roots are related to his first reference: the mythical Andean perspective.Muchos críticos han reconocido la destreza técnica y estilística en los relatos de Eleodoro Vargas Vicuña, como la oralidad de sus personajes, la fragmentación narrativa y las voces polifónicas que van describiendo la trama. Incluso se ha propuesto que el Indigenismo de Vargas Vicuña renovó el universo narrativo indigenista, pero son escasos los asedios que se han realizado en torno a los vínculos de su cuentística con su producción poética. Nuestra investigación pretende establecer qué tipo de narrador es el que gobierna su obra. También evidenciaremos cómo sus personajes se manifiestan a través de un lenguaje particular para revelarnos una visión de la realidad que se vincula fuertemente con la de su obra poética, conjunto discursivo transculturado, mestizo, pero cuyas raíces atienden a su referente primero: la visión mítica andina.Academia Peruana de la Lengua2014-06-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.apl.org.pe/index.php/boletinapl/article/view/13110.46744/bapl.201401.005Boletín de la Academia Peruana de la Lengua; No 57 (2014): Enero - Junio; 155-184Boletín de la Academia Peruana de la Lengua; Núm. 57 (2014): Enero - Junio; 155-184Boletín de la Academia Peruana de la Lengua; n. 57 (2014): Enero - Junio; 155-1842708-26440567-6002reponame:Boletín de la Academia Peruana de la Lenguainstname:Academia Peruana de la Lenguainstacron:APLspahttps://revistas.apl.org.pe/index.php/boletinapl/article/view/131/92Derechos de autor 2014 Manuel Larrú Salazar, Sara Viera Mendozahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessoai:ojs.revistas.apl.org.pe:article/1312021-09-29T17:56:10Z |
| dc.title.none.fl_str_mv |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work El andar de las palabras. Poesía y mito en la obra de Vargas Vicuña |
| title |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| spellingShingle |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work Larrú Salazar, Manuel Vargas Vicuña orality Andean animism mixed-raced vision Vargas Vicuña oralidad animismo andino visión mestiza |
| title_short |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| title_full |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| title_fullStr |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| title_full_unstemmed |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| title_sort |
The to-and-for of words. Poetry and myth in Vargas Vicuña's work |
| dc.creator.none.fl_str_mv |
Larrú Salazar, Manuel Viera Mendoza, Sara |
| author |
Larrú Salazar, Manuel |
| author_facet |
Larrú Salazar, Manuel Viera Mendoza, Sara |
| author_role |
author |
| author2 |
Viera Mendoza, Sara |
| author2_role |
author |
| dc.subject.none.fl_str_mv |
Vargas Vicuña orality Andean animism mixed-raced vision Vargas Vicuña oralidad animismo andino visión mestiza |
| topic |
Vargas Vicuña orality Andean animism mixed-raced vision Vargas Vicuña oralidad animismo andino visión mestiza |
| description |
Many critics have acknowledged the stylistic and technical skills in Eleodoro Vargas Vicuña’s narrative, such as the orality of his characters, narrative fragmentation and polyphonic voices that describes his plot. There have been suggestions that the Indigenism of Vargas Vicuña renewed the pro-Indian narrative universe, but there are few concerns about the links of his story with his poetic production. Our research aims to establish which type of narrator rules his work. We will also show how his characters start showing through a particular language in order to reveal a vision of reality strongly linked to that of his poetic work, a transculturalized and mixed-raced discursive formation, but whose roots are related to his first reference: the mythical Andean perspective. |
| publishDate |
2014 |
| dc.date.none.fl_str_mv |
2014-06-30 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.apl.org.pe/index.php/boletinapl/article/view/131 10.46744/bapl.201401.005 |
| url |
https://revistas.apl.org.pe/index.php/boletinapl/article/view/131 |
| identifier_str_mv |
10.46744/bapl.201401.005 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.apl.org.pe/index.php/boletinapl/article/view/131/92 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2014 Manuel Larrú Salazar, Sara Viera Mendoza https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Derechos de autor 2014 Manuel Larrú Salazar, Sara Viera Mendoza https://creativecommons.org/licenses/by/4.0 |
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openAccess |
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application/pdf |
| dc.publisher.none.fl_str_mv |
Academia Peruana de la Lengua |
| publisher.none.fl_str_mv |
Academia Peruana de la Lengua |
| dc.source.none.fl_str_mv |
Boletín de la Academia Peruana de la Lengua; No 57 (2014): Enero - Junio; 155-184 Boletín de la Academia Peruana de la Lengua; Núm. 57 (2014): Enero - Junio; 155-184 Boletín de la Academia Peruana de la Lengua; n. 57 (2014): Enero - Junio; 155-184 2708-2644 0567-6002 reponame:Boletín de la Academia Peruana de la Lengua instname:Academia Peruana de la Lengua instacron:APL |
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Academia Peruana de la Lengua |
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APL |
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APL |
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Boletín de la Academia Peruana de la Lengua |
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Boletín de la Academia Peruana de la Lengua |
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12.851315 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
