Study and comparison of image developments in Persian poetry (from classical to contemporary)
Descripción del Articulo
In any literary style or period, there are always common factors and contexts between poets and writers that make up the color and public space of that period. One of these contexts are elements and themes that are used in poetic images; Elements such as nature, ordinary and peripheral elements, lit...
| Autores: | , , |
|---|---|
| Formato: | artículo |
| Fecha de Publicación: | 2021 |
| Institución: | Universidad San Ignacio de Loyola |
| Repositorio: | Revista USIL - Propósitos y Representaciones |
| Lenguaje: | inglés |
| OAI Identifier: | oai:ojs.revistas.usil.edu.pe:article/1109 |
| Enlace del recurso: | http://revistas.usil.edu.pe/index.php/pyr/article/view/1109 |
| Nivel de acceso: | acceso abierto |
| Materia: | image, image elements, ancient poetry, contemporary poetry, image subject |
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Study and comparison of image developments in Persian poetry (from classical to contemporary)Badizadeh, Mohammad ShahMehraban, JavadKabari Ghotbi, Leilaimage, image elements, ancient poetry, contemporary poetry, image subjectIn any literary style or period, there are always common factors and contexts between poets and writers that make up the color and public space of that period. One of these contexts are elements and themes that are used in poetic images; Elements such as nature, ordinary and peripheral elements, literary subtleties in image making, etc. are the themes that can lead us to obvious differences between the illustrations of each period in each period and can finally be a basis for evaluation. The artistic and imaginative values and features of each period become and lead us to the important point that the image is a representation of sensory effect in language. This sensory effect also includes: the poet's thoughts, feelings and sensory experiences. The importance of illustration and illustration is such that, in the opinion of many, any change in the illustration of the world also leads to a change in the mechanism of the world. What constitutes the basis of the present research is the study and study of the illustration processes of old and new Persian poetry in two ways, method and subject of the image. The results of the present study show that although the overall image structure of Persian poetry from ancient times to modern times has been based on one principle, but the subject of these images is different in two periods so that the image in ancient poetry is based on "nature and imagination". While the basis of the image in contemporary poetry is "man and society".Universidad San Ignacio de Loyola S.A.2021-03-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://revistas.usil.edu.pe/index.php/pyr/article/view/110910.20511/pyr2021.v9nSPE2.1109Propósitos y Representaciones. Journal of Educational Psychology; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e1109Propósitos y Representaciones; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e1109Propósitos y Representaciones; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e11092310-46352307-799910.20511/pyr2021.v9nSPE3reponame:Revista USIL - Propósitos y Representacionesinstname:Universidad San Ignacio de Loyolainstacron:USILenghttp://revistas.usil.edu.pe/index.php/pyr/article/view/1109/1366Copyright (c) 2021 Propósitos y Representacioneshttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccess2021-05-18T15:15:14Zmail@mail.com - |
| dc.title.none.fl_str_mv |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| title |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| spellingShingle |
Study and comparison of image developments in Persian poetry (from classical to contemporary) Badizadeh, Mohammad Shah image, image elements, ancient poetry, contemporary poetry, image subject |
| title_short |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| title_full |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| title_fullStr |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| title_full_unstemmed |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| title_sort |
Study and comparison of image developments in Persian poetry (from classical to contemporary) |
| dc.creator.none.fl_str_mv |
Badizadeh, Mohammad Shah Mehraban, Javad Kabari Ghotbi, Leila |
| author |
Badizadeh, Mohammad Shah |
| author_facet |
Badizadeh, Mohammad Shah Mehraban, Javad Kabari Ghotbi, Leila |
| author_role |
author |
| author2 |
Mehraban, Javad Kabari Ghotbi, Leila |
| author2_role |
author author |
| dc.contributor.none.fl_str_mv |
|
| dc.subject.none.fl_str_mv |
image, image elements, ancient poetry, contemporary poetry, image subject |
| topic |
image, image elements, ancient poetry, contemporary poetry, image subject |
| dc.description.none.fl_txt_mv |
In any literary style or period, there are always common factors and contexts between poets and writers that make up the color and public space of that period. One of these contexts are elements and themes that are used in poetic images; Elements such as nature, ordinary and peripheral elements, literary subtleties in image making, etc. are the themes that can lead us to obvious differences between the illustrations of each period in each period and can finally be a basis for evaluation. The artistic and imaginative values and features of each period become and lead us to the important point that the image is a representation of sensory effect in language. This sensory effect also includes: the poet's thoughts, feelings and sensory experiences. The importance of illustration and illustration is such that, in the opinion of many, any change in the illustration of the world also leads to a change in the mechanism of the world. What constitutes the basis of the present research is the study and study of the illustration processes of old and new Persian poetry in two ways, method and subject of the image. The results of the present study show that although the overall image structure of Persian poetry from ancient times to modern times has been based on one principle, but the subject of these images is different in two periods so that the image in ancient poetry is based on "nature and imagination". While the basis of the image in contemporary poetry is "man and society". |
| description |
In any literary style or period, there are always common factors and contexts between poets and writers that make up the color and public space of that period. One of these contexts are elements and themes that are used in poetic images; Elements such as nature, ordinary and peripheral elements, literary subtleties in image making, etc. are the themes that can lead us to obvious differences between the illustrations of each period in each period and can finally be a basis for evaluation. The artistic and imaginative values and features of each period become and lead us to the important point that the image is a representation of sensory effect in language. This sensory effect also includes: the poet's thoughts, feelings and sensory experiences. The importance of illustration and illustration is such that, in the opinion of many, any change in the illustration of the world also leads to a change in the mechanism of the world. What constitutes the basis of the present research is the study and study of the illustration processes of old and new Persian poetry in two ways, method and subject of the image. The results of the present study show that although the overall image structure of Persian poetry from ancient times to modern times has been based on one principle, but the subject of these images is different in two periods so that the image in ancient poetry is based on "nature and imagination". While the basis of the image in contemporary poetry is "man and society". |
| publishDate |
2021 |
| dc.date.none.fl_str_mv |
2021-03-07 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
http://revistas.usil.edu.pe/index.php/pyr/article/view/1109 10.20511/pyr2021.v9nSPE2.1109 |
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http://revistas.usil.edu.pe/index.php/pyr/article/view/1109 |
| identifier_str_mv |
10.20511/pyr2021.v9nSPE2.1109 |
| dc.language.none.fl_str_mv |
eng |
| language |
eng |
| dc.relation.none.fl_str_mv |
http://revistas.usil.edu.pe/index.php/pyr/article/view/1109/1366 |
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Copyright (c) 2021 Propósitos y Representaciones http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2021 Propósitos y Representaciones http://creativecommons.org/licenses/by-nc-nd/4.0 |
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openAccess |
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application/pdf |
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Universidad San Ignacio de Loyola S.A. |
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Universidad San Ignacio de Loyola S.A. |
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Propósitos y Representaciones. Journal of Educational Psychology; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e1109 Propósitos y Representaciones; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e1109 Propósitos y Representaciones; Vol. 9 (2021): Special Multidisciplinary Number: Current context of education and psychology in Europe and Asia; e1109 2310-4635 2307-7999 10.20511/pyr2021.v9nSPE3 reponame:Revista USIL - Propósitos y Representaciones instname:Universidad San Ignacio de Loyola instacron:USIL |
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Universidad San Ignacio de Loyola |
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USIL |
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USIL |
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mail@mail.com |
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13.987529 |
Nota importante:
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).
La información contenida en este registro es de entera responsabilidad de la institución que gestiona el repositorio institucional donde esta contenido este documento o set de datos. El CONCYTEC no se hace responsable por los contenidos (publicaciones y/o datos) accesibles a través del Repositorio Nacional Digital de Ciencia, Tecnología e Innovación de Acceso Abierto (ALICIA).