El derrame de 11 900 barriles de petróleo de la refinería La Pampilla (Repsol), ocasionó contaminación con hidrocarburos de 1 800 490 metros cuadrados de suelo y 7 139 571 m2 de mar. Hasta la fecha no hay data ofrecidos al público sobre la cantidad de hidrocarburos remanentes luego de las labores de limpieza realizadas por las diferentes instituciones que se sumaron a dicha labor, así como los impactos percibidos por las personas, como por ejemplo aquellos que han determinado consecuencias a nivel social y económico a los pescadores. Por lo tanto, en el presente trabajo se propuso, identificar los impactos socioeconómicos inmediatos percibidos por el derrame de petróleo en la comunidad pesquera de Ventanilla, para ello se utilizó como instrumento una encuesta semiestructurada a 88 personas de la comunidad pesquera de Ventanilla; así como la toma de muestra de sedimentos interm...

The emergence of a new category of assets linked to the experience of the systematic and massive violations of human rights, is one of the unexpected consequences of the implementation of the strategy of state terrorism in Chile. These physical marks of the last military dictatorship (1973-1990), have been expressed in the descriptions of atrocity or horror with which recount process and socially, we argue that for that to be possible, it was necessary to make themselves three key processes. First, the finding of extreme experience representing Nazi extermination policy and universal value, two, as a direct effect of the above, the creation of a human rights culture of a planetary, and three, the expansion of the traditional conception of cultural heritage. Only the combination of these three phenomena, it is possible today to identify sites of memory as a set of assets.

The emergence of a new category of assets linked to the experience of the systematic and massive violations of human rights, is one of the unexpected consequences of the implementation of the strategy of state terrorism in Chile. These physical marks of the last military dictatorship (1973-1990), have been expressed in the descriptions of atrocity or horror with which recount process and socially, we argue that for that to be possible, it was necessary to make themselves three key processes. First, the finding of extreme experience representing Nazi extermination policy and universal value, two, as a direct effect of the above, the creation of a human rights culture of a planetary, and three, the expansion of the traditional conception of cultural heritage. Only the combination of these three phenomena, it is possible today to identify sites of memory as a set of assets.