In this research, we propose to see the incidence of sensory architecture in public spaces in the Peruvian high Andean zone of the district of Pucara, an environment where the ancestral dance known as Huaylarsh is practiced, which has a background with agriculture and pastoral love. From a diagnosis, we will detect the considerations of the relations of the sensorial characters in the urban environment, opening a set of questions in relation to the cultural development in the towns that need diffusion and support in the expression of their most representative customs. The information on local public spaces was collected by means of an observation sheet, in which several general characteristics were recorded, such as typology, state of conservation and use of equipment, in addition to focusing on sensory criteria such as accessibility, visual language, fluidity in the environment, harmony...