This article is framed in the ethnomusicological interpretations deducted in my field work, in the Emberá Chamí indigenous resguardo in San Lorenzo; in this, the main objective was referring my work in an ethnography of the musical groups of indigenous youths. In this sense, this work evidences musical performance though a punk-rock event made in one of the most encumbered communities in San Lorenzo resguardo and it was denote certain political resistances, corporal and sonic behaviors in the territory. The intention is showing the socio-musical and socio-political meanings that these young musicians attribute to their sound-performance practices, privileging in this case, the tensions generated between: musicians, social actors, residents and the governors of the territory, by the sonic position that these young people attributes to their soundmusical practices.The Emberá ...

This article is a proposal from a framework of theoretical-methodological nature based on the intercultural experience of hearing that the Colombian anthropologist Luis Guillermo Vasco had in the 70’s with the shamanic practices of the Emberá Chamí. This guideline, gives an insight into determining some questionings with respect to the fieldwork undertaken by this anthropologist concerning the listening; as an ear that cared and translated certain hearing significances to certain cultural settings. Meanwhile, these ethnomusicological interpretations are given from these guidelines and confronted by my insertion and participation in the fieldwork in an event of «toma» or intake of ayahuasca in the Emberá Chamíindigenous reservation from San Lorenzo.

Este artículo se enmarca desde una provocación de carácter teóricometodológico basado en la experiencia intercultural de audición que tuvo en la década de 1970 el antropólogo colombiano Luis Guillermo Vasco con las prácticas chamánicas de los emberá chamí. Este lineamiento permite determinar algunos cuestionamientos con respecto a la posicionalidad en campo de este antropólogo en lo que respecta a la escucha, como un oído que atendió y tradujo ciertas significaciones auditivas a ciertos parámetros culturales. Ahora bien, estas interpretaciones etnomusicológicas, están dadas a partir de estas directrices y confrontadas por la inserción y participación en campo en un evento de «toma» o ingesta de ayahuasca en el resguardo indígena emberá chamí de San Lorenzo. La discusión ahonda en la imaginación y conceptualización indígena sobre el sonido, que merece especial...

This article is framed in the ethnomusicological interpretations deducted in my field work, in the Emberá Chamí indigenous resguardo in San Lorenzo; in this, the main objective was referring my work in an ethnography of the musical groups of indigenous youths. In this sense, this work evidences musical performance though a punk-rock event made in one of the most encumbered communities in San Lorenzo resguardo and it was denote certain political resistances, corporal and sonic behaviors in the territory. The intention is showing the socio-musical and socio-political meanings that these young musicians attribute to their sound-performance practices, privileging in this case, the tensions generated between: musicians, social actors, residents and the governors of the territory, by the sonic position that these young people attributes to their soundmusical practices.The Emberá ...

This article is a proposal from a framework of theoretical-methodological nature based on the intercultural experience of hearing that the Colombian anthropologist Luis Guillermo Vasco had in the 70’s with the shamanic practices of the Emberá Chamí. This guideline, gives an insight into determining some questionings with respect to the fieldwork undertaken by this anthropologist concerning the listening; as an ear that cared and translated certain hearing significances to certain cultural settings. Meanwhile, these ethnomusicological interpretations are given from these guidelines and confronted by my insertion and participation in the fieldwork in an event of «toma» or intake of ayahuasca in the Emberá Chamíindigenous reservation from San Lorenzo.

This article is framed in the ethnomusicological interpretations deducted in my field work, in the Emberá Chamí indigenous resguardo in San Lorenzo; in this, the main objective was referring my work in an ethnography of the musical groups of indigenous youths. In this sense, this work evidences musical performance though a punk-rock event made in one of the most encumbered communities in San Lorenzo resguardo and it was denote certain political resistances, corporal and sonic behaviors in the territory. The intention is showing the socio-musical and socio-political meanings that these young musicians attribute to their sound-performance practices, privileging in this case, the tensions generated between: musicians, social actors, residents and the governors of the territory, by the sonic position that these young people attributes to their soundmusical practices.The Emberá ...