The push for the use of 360° narratives comes from the popularization of the phenomenon on networks, especially since 2015. In Spain, the Lab de Radio y Televisión Española has been experimenting with this technology, offering recordings of shows and documentaries and pioneering the recording of the first interactive virtual reality episode of a television series. In order to learn about the characteristics, challenges and difficulties of broadcasting 360° events, this paper takes as a case study the broadcasting of the Goya Awards Gala on RTVE. This is a live event where the most outstanding figures of Spanish cinema during the previous year are awarded. The chosen method is based on a previous interview with two people in charge of the RTVE Lab, who are responsible for the 360o production of the gala. Based on the data collected in the interview, a content analysis model was design...

The push for the use of 360° narratives comes from the popularization of the phenomenon on networks, especially since 2015. In Spain, the Lab de Radio y Televisión Española has been experimenting with this technology, offering recordings of shows and documentaries and pioneering the recording of the first interactive virtual reality episode of a television series. In order to learn about the characteristics, challenges and difficulties of broadcasting 360° events, this paper takes as a case study the broadcasting of the Goya Awards Gala on RTVE. This is a live event where the most outstanding figures of Spanish cinema during the previous year are awarded. The chosen method is based on a previous interview with two people in charge of the RTVE Lab, who are responsible for the 360o production of the gala. Based on the data collected in the interview, a content analysis model was design...