The author elaborates an exegetical-hermeneutical study, using the historical-critical method, of the story of the universal flood at Genesis 6,1-9,17. This is an elaboration of the yavista (J) and priestly (P) traditions. The yavista presents Noah as the righteous man in the midst of human evil; the priestly presents him as the new Adam, in the midst of the infidelity of the chosen people. The flood represents a return to the initial chaos; the salvation of Noah and his family, a return to the salvific project of God. The story presents us with a biblical anthropology, which recognizes the presence of evil in the human heart, but highlights the fidelity, kindness and obedience of Noah, for which God grants a new salvation.

This article analyzes three gospel passages through the Expressive Arts method along with Biblical analysis. The passages are analyzed from three approaches: touch, body, and space. The expressive arts represent a therapy with art as a central element in an educational process. They create a safe environment to move towards a liminal space of imagination and reality, revealing everything that emerges from the arts. Furthermore, the expressive arts release the senses as well as the body significantly through creative movements, focusing on self-expression and bodynarrative. In this publication, Expressive Arts are applied to biblical passages in order to observe, describe and gather the biblical messages with the aim of conductin  theology to enlighten the particular reality of violence against women in Peru.

The author elaborates an exegetical-hermeneutical study, using the historical-critical method, of the story of the universal flood at Genesis 6,1-9,17. This is an elaboration of the yavista (J) and priestly (P) traditions. The yavista presents Noah as the righteous man in the midst of human evil; the priestly presents him as the new Adam, in the midst of the infidelity of the chosen people. The flood represents a return to the initial chaos; the salvation of Noah and his family, a return to the salvific project of God. The story presents us with a biblical anthropology, which recognizes the presence of evil in the human heart, but highlights the fidelity, kindness and obedience of Noah, for which God grants a new salvation.

This article analyzes three gospel passages through the Expressive Arts method along with Biblical analysis. The passages are analyzed from three approaches: touch, body, and space. The expressive arts represent a therapy with art as a central element in an educational process. They create a safe environment to move towards a liminal space of imagination and reality, revealing everything that emerges from the arts. Furthermore, the expressive arts release the senses as well as the body significantly through creative movements, focusing on self-expression and bodynarrative. In this publication, Expressive Arts are applied to biblical passages in order to observe, describe and gather the biblical messages with the aim of conductin  theology to enlighten the particular reality of violence against women in Peru.