Specialized critics have so far insisted on the impact of Kafka as a narrator on Ribeyro’s stories, consistently in the same direction: it would be a direct influence on the stories written in the late forties and early fifties, texts from his youth with some fantastic or absurd element, and during a formative period in which the man from Lima had not yet developed his own voice. However, the most intense and profound presence of Kafka in Ribeyro is found in his diaries, and not so much in the themes or style, but in the common characteristics of “spiritual kinship” embedded in the realm of sensitivity and in how they both construct themselves as artists.

Specialized critics have so far insisted on the impact of Kafka as a narrator on Ribeyro’s stories, consistently in the same direction: it would be a direct influence on the stories written in the late forties and early fifties, texts from his youth with some fantastic or absurd element, and during a formative period in which the man from Lima had not yet developed his own voice. However, the most intense and profound presence of Kafka in Ribeyro is found in his diaries, and not so much in the themes or style, but in the common characteristics of “spiritual kinship” embedded in the realm of sensitivity and in how they both construct themselves as artists.

Specialized critics have so far insisted on the impact of Kafka as a narrator on Ribeyro’s stories, consistently in the same direction: it would be a direct influence on the stories written in the late forties and early fifties, texts from his youth with some fantastic or absurd element, and during a formative period in which the man from Lima had not yet developed his own voice. However, the most intense and profound presence of Kafka in Ribeyro is found in his diaries, and not so much in the themes or style, but in the common characteristics of “spiritual kinship” embedded in the realm of sensitivity and in how they both construct themselves as artists.

El objetivo de la investigación fue evaluar los niveles de gallinaza en la producción de morfotipos de kuyacsa (Mirabilis expansa [Ruiz y Pav.] Standl.) en condiciones edafoclimáticas de Chinchao – Huánuco, 2020. El experimento se desarrolló en la localidad de Dos Aguas, distrito de Chinchao, provincia y departamento de Huánuco, durante los meses de mayo del 2021 a mayo del 2022. Se estudio cinco niveles de gallinaza: 0.0, 0.5, 1.0, 1.5 y 2.0 t/ha, en dos morfotipos de kuyacsa: flor purpura y flor blanca. Se aplico el diseño estadístico de Bloques Completos al Azar, con arreglo en Parcelas Divididas (DPD), adjudicándose los morfotipos de kuyacsa a las parcelas y niveles de gallinaza a las subparcelas, estableciéndose diez tratamientos con tres repeticiones. Los datos obtenidos se analizaron con la técnica de ANOVA y para la comparación de promedios se utilizó la Prueba de ...